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Vinyl LP pressing. SPARKS was the 1972 debut album by the quirky rockers led by Ron and Russell Mael. Initially, the band were named Halfnelson and the album had been released under that band name the previous year. After they changed their name to Sparks, the album was reissued under the new moniker with completely different artwork. Contains their first European hit 'Wonder Girl.'
F**E
Goodbye Halfnelson, hello Sparks!
Sparks...young and raw. But talented nonetheless!
D**K
a greatcd
This is a wonderful collection of what was Halfnelson than became sparks I wish they would of stayed Halfnelson but thats just me.A lot of this stuff was produced by Todd Rundgren a great producer and musician.
J**K
Five Stars
5 SPARK rating!!!!!
Q**D
Sparks Sparks
In all their iterationsThrough seemingly endless musical stylesAnd a dozen band member versionsOver 30 odd years (and I do mean odd years)It still comes down to this record... Sparks Sparks.With songs like the brilliant "Fletcher Honorama" & "Fa La Fa Lee" and "High C" to define a sound for decades to come... if someone told me "you can only have one Sparks record" this would be the one and that includes Number one in Heaven - which is a must have brilliant record that every fan of pop music needs to own but Sparks Sparks is the stuff I always go back to. This is their only 5 star album and I say that very carefully as it will frustrate some die hard Sparks fans (but it's true) a huge percentage of their material is dreadfully flawed - however this album is perfect all the way through and stands alone in their discography as the oneJust my two cents...BTW: I've been listening to them since 1973 and have over the years owned just about everything they've ever released
H**N
HEY, SAILOR!
My first experience of Halfnelson, later Sparks, came courtesy of one of those "Various Artists" promotional albums. The track that was selected to represent the band was, of course, the least representative track from this, their debut album.A near-novelty offering with its all-teen B-movie narrative intro, "Biology 2" is a song ostensibly about the gene pool -- for added measure, the song begins obligingly enough, down at the community pool -- that introduces us to that curious mix of lust, social pressure and low self esteem that later proves to be a guiding leitmotif of the Sparks catalog.It's easy to imagine that anyone buying this record based on their exposure to "Biology 2" might be disappointed by an album that goes on to feature thinly veiled songs about incest, body fat considered in its relation to crucifixion and the struggle of a spent diva's avid fan to climb her fence and hit the high one. But then, what's not to love? This self-titled first album manages to scratch enough of the surface of one of rock's most oddly-expressive and prurient band of brothers so that we few listeners are exposed to an alternate reality no-one else dares or cares to address. It's also a chance to witness the emergence of a style that seems never to be duplicated. From the near soprano voice of Russell Mael and the meticulously structured compositions of brother Ron Mael, a new kind of pop starts to emerge. Still preoccupied with the traditional "I'm a boy and you're a girl" song settings, but in such persistently and hilariously unhealthy ways.If you know how to listen to Sparks, you need to listen to their genesis. Or at least how they started.
B**N
it made a permanent spark on my musical taste
Sparks was very underrated back in the day. They had a talent for writing memorable songs left and right, and they are truly deserveing of the underrated tag if you ask me. If for nothing else, they were very consistent and there's NO filler on the debut album.Not only that, but they have a distinct sound to their songwriting skills. They don't sound like Sweet, they don't sound like Badfinger, they don't sound like ELO, and they certainly don't sound like 10cc. So that makes Sparks unique in my eyes.Sure, they don't contain the same level of diversity as say, the Beatles or David Bowie. But they are very good musicians who write very catchy songs, and that's really all you need in a pop band.Highlights include the brightly danceable "Fa La Fa Lee", the delicately paced "Simple Ballet", and the spooky and haunting "Saccharin and the War". I can almost guarantee anyone who likes early 70's pop rock will love most of the songs on the debut album.
P**T
A Great Beginning
The music contained on Sparks' debut LP is so unique and ahead of its time that, even 30 plus years and myriad musical developments and trends later, it remains original and difficult to pigeon hole. There is some resemblence to Roxy Music of the same era as well as Eno's subsequent solo records. There also may be a passing resemblence to same-era Zappa and pre-breakthrough Alice Cooper. But where the music of those artists, while often brilliant, can come across as weird for weirdness sake, The Mael brother's warped compositions appear organically eccentric, yet strangely accessable. In this respect, their music may be more akin-if not so much in sound, then execution- to The Incredible String Band. In any case, this is some truly imaginative and eclectic material. The songs run the gamut from such melodic and straightforward pop fare as "Slowboat" and "Wonder Girl" to the incredibly strange and facinating "Biology 2". Sparks would soon go on to conquer England with one of the greatest back to back musical efforts ever in KIMONO MY HOUSE and PROPAGANDA. And, while those two albums largely eclipse the material on this LP as well as its follow up, it is still no less essential.
A**R
prior experience required
First, you should buy "Kimono My House". Then, become a true fan of the group Sparks. Only after these missions are complete may you venture forth upon a puchase of this historical debut. [Produced by Tod Rundgren][Look out for a used copy of the "Sparks/A Woofer in Tweeter's Clothing/Plaigarism" two-disc combo.]
J**E
A GREAT DEBUT FROM THE BROTHERS.
My introduction to Sparks came, like most people, via Top of the Pops in 1974, where they blew me away with their hit, `This Town A`int Big Enough For The Both Of Us`, a pop song unlike any I had ever heard before-or since for that matter. I obtained it and the album it came from, `Kimono My House` and I was not disappointed. From then on, as a card carrying member of their fan club, I bought their singles and albums. I only heard THIS album a few years ago and I wasn`t expecting it to be as good as Kimono. How wrong I was, this is one of the best albums ever made. It has lots of great songs and features two sets of brothers, the Mael`s and the Markey`s. What more could anyone wish for in a group? If you have never bought this, do yourself a favour and buy it NOW.
A**A
Great vinyl
Super vinyl format of this great album
G**D
sparks/ half nelson.
the very first album really recorded under there original name half nelson, but re put out as Sparks first album a very good mix on the usual sparks stuff some amazing songs on this cdmy fave is wonder girl so catchy,
K**1
Four Stars
Good vinyl
O**Á
Absolut klarer Klang und unvergleichlich
Mag sein, das diese Scheibe in den 70er Jahren nicht auffiel. Wer wirklich anspruchsvolle Musik hören will, kommt an die Sparks nicht vorbei. Ihre Musik, besonders die ersten beiden Alben, (dies hier war die erste) ist absolut kreativ und jede Note stimmt 100 Prozent. Ma kann die Musik immer wieder hören, ohne das es langweilig wird. Sprks ist seit Jahrzehnen aktiv und auch die anderen Scheiben kann ich empfehlen. Wer Fan von den Sparks ist, der ist ein anspruchsvoller und kreativer Mensch, der auch Logik zu schätzen weis. Genau das sind die Sparks. Herzliche Grüße an Ron und Russel.
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