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Double vinyl LP pressing of this 1996 album from the British Indie band. Stereolab's fourth full-length, Emperor Tomato Ketchup marked the point where the band evolved from a purely underground phenomenon to an important pop group capable of selling albums while keeping their hipness and integrity intact. At the time of it's release, it was simultaneously their most experimental and most accessible release, with the deliberate raw textures of earlier works replaced by a more polished vibe. The album was also their greatest success to date both commercially and critically, and remains a consensus favorite even now. Continuing to mine the music of the '60s and early '70s, Stereolab employs Farfisas and Moog's, melodies from Bacharach and Hardy, soft-rock, bubblegum, dub and hip-hop sounds to augment their core influences of krautrock, punk, jazz and space rock.
L**N
Excellent album
While it took quite of a period of time for it to arrive, I'm very happy with my purchase. The packaging was a bit worn and squashed, but I was able to rip the CD nonetheless. It's such of an excellent album by the groop.
P**L
Stereolab vinyl treasure
This is a landmark release by this innovative and creative group - superbThe LP arrived in perfect condition from the supplier in significant protective packaging. The sleeve and contents pristine and play perfectly and I've been enjoying the music.Couldn't be happier and recommend heartily
A**R
Fab tunes
Really pleased with this product and service
A**R
Five Stars
Awesome
J**S
One of the great Stereolab albums...
Stereolab are one of those bands who have been consistently great (or at worst, consistently good) - get any of their albums or compilations and let me know if you detect a dud. Contrary to some fans of their earlier so-called 'Lo Fi'-work, I have to say I prefer the stuff after - 'Emperor Tomato Ketchup' being a key album in their history. I always found releases like 'peng! and '...Space Age Bachelor Pad Music' a bit too theoretical and repetative - though I must go back and check if my tastes haven't superceded my memory. Exposure to a band like Neu! could make you reassess the groop known as Stereolab.Stereolab almost broke through in the mid-90s - the recent box-set reminds you that 'French Disko' was close to a hit, while 'Ping Pong'/'Mars Audiac Quintet' almost had them being the next St.Etienne (the closest they got in the end was Laetitia Sadier's appearance on Blur's 'To the End' from the best-selling 'Park Life' LP). They appeared to step sideways with the 'Refried Ectoplasm'-compilation of earlier singles and the soundtrack recording 'Music for the Amorphous Body Center.' 'Emperor Tomato Ketchup', recently cited by the Flaming Lips' Wayne Coyne as one of his favourite albums alongside Miles Davis' 'Bitches Brew', tapped into their best work before and extended their range hugely. Sean O'Hagan (High Llamas/Microdisney) supplies gorgesous string arrangements alongside his usual guest contributions (O'Hagan contributed similarly to Super Furry Animals' 'Guerrilla' - shame that approach only gelled on 'The Turning Tide'). John McEntire (Tortoise) is engineer and co-producer here, a role he would advance with Jim O'Rourke on the classic 'Cobra Phases...' and 'Sound-Dust' albums (my three favourite Stereolab recordings).The eclectic range of instruments alongside the harmonies of Sadier and the late Mary Hansen offer an extremely layered album - you can see how this complex exploration of sound and structure influenced the Lips' 'Zaireeka' and 'The Soft Bulletin' - this is one of those records you can sonically give yourself up to - like 'Loveless', 'In the Aeroplane Over the Sea', 'Xtrmntr', 'My Life in the Bush of Ghosts', 'Now Here is Nowhere', 'Neu! 75', 'Sulk', 'Get Up With It' or 'Blue Bell Knoll.' The joys of headphones-MP3players make this all the more apparent - it seems wrong that somehow these songs weren't mega-hits and have been adopted as national anthems. Singles 'Cybele's Revenge' and 'The Noise of Carpet' sound like alien pop perfection in all their glory. Hard to single out any particular tracks - just one of those albums that is fantastic from beginning to end, that I can play all the way through anytime...one for that Desert Island - tomorrow was already here then...& great to see they remain as fantastic as ever, the 'Fab Four Suture'-compilation a reminder of one of the greatest groops...While Stereolab have often been cited as influenced by [insert Krautrock name here], it's time to note that the 'Lab (as they were never, ever called) have been influential, acts like Broadcast, Secret Machines, the Lips, the Beta Band, Super Furry Animals, Blur, The Fiery Furnaces and Pram have all nodded in their general direction. 'Emperor Tomato Ketchup' remains one of the great albums of the 1990s and a definite totalutterseminallikemasterpiece...
J**N
One of Stereolab's finest
I have been a die-hard Stereolab fan ever since they first appeared in 1992, and have bought every album as a matter of course. It's hard to review something which it has become second-nature to regard as obviously totally brilliant.I have to admit, though, that the last few Stereolab albums have been a bit bland by comparison with their earlier work. In the category of true classics I would single out this album, "Emperor Tomato Ketchup". It's probably fair to say that after their experimental beginnings, this is where Stereolab really hit their stride. Just really great, catchy songs, with a philosophical twist. In other words: classic Stereolab.
L**Y
One or three discs?
Why there is written in description that it is one disc? It’s a triple vinyl edition...
G**H
Stunning work of art.
Absolutely amazing album, there's something tactile about the sound of this. Whatever music you think you like, just buy this anyway. It's that good. A bit weird that people keep getting Cybele's Reverie wrong though.
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