---
product_id: 912661
title: "TM-2X Stereo X-Y Microphone for DSLR Cameras ,Black"
brand: "tascam"
price: "110747CFA"
currency: XOF
in_stock: true
reviews_count: 8
category: "Tascam"
url: https://www.desertcart.sn/products/912661-tm-2x-stereo-x-y-microphone-for-dslr-cameras-black
store_origin: SN
region: Senegal
---

# 180º rotatable mic for perfect stereo capture 120 dB SPL max input - handles loud environments Floating shock mount reduces handling noise TM-2X Stereo X-Y Microphone for DSLR Cameras ,Black

**Brand:** tascam
**Price:** 110747CFA
**Availability:** ✅ In Stock

## Summary

> 🎥 Elevate your DSLR audio game—capture every moment like a pro!

## Quick Answers

- **What is this?** TM-2X Stereo X-Y Microphone for DSLR Cameras ,Black by tascam
- **How much does it cost?** 110747CFA with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sn](https://www.desertcart.sn/products/912661-tm-2x-stereo-x-y-microphone-for-dslr-cameras-black)

## Best For

- tascam enthusiasts

## Why This Product

- Trusted tascam brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Noise-Free Focus:** On-board low-cut filter and shock mount minimize background and handling noise.
- • **Wind & Weather Ready:** Includes furry windscreen to keep your audio crisp outdoors.
- • **Built for Loud & Live:** Handles up to 120 dB SPL without distortion—perfect for concerts and dynamic scenes.
- • **Plug & Play Simplicity:** Connects directly to DSLR mic input with included shoe adapter and tripod mount.
- • **Pro-Level Stereo Capture:** X-Y pattern mics deliver true-to-life spatial audio for cinematic video.

## Overview

The Tascam TM-2X is a compact, stereo X-Y condenser microphone designed specifically for DSLR cameras. It features dual cardioid capsules that capture rich, natural stereo sound with excellent spatial imaging. With a high maximum sound pressure level of 120 dB SPL, it excels in loud environments like live music events. The mic includes a floating shock mount to reduce handling noise, a low-cut filter to eliminate unwanted low frequencies, and a furry windscreen for outdoor use. Easy to mount via the included shoe adapter or tripod threads, the TM-2X plugs directly into your camera’s 3.5mm mic input, making it a trusted choice for amateur and professional videographers seeking superior audio quality.

## Description

TASCAMs continued devotion to the Audio for Video market is made apparent in the TM-2X Stereo X-Y Pattern Mic for DSLR Cameras. Users now have the option to utilize the same cardioid mics made popular on the DR-Series PCM recorders and record straight into their camera of choice. Over the past few years TASCAM has become the most trusted supplier of audio devices for amateur and pros DSLR filmmakers alike. The TM-2X continues that reputation.

Review: Exceptional sound, excellent for high SPL but still quite sensitive - I intended to use my Nikon D5300 for video as well as still shots. In particular, I wanted to use it to take video of live music shows. However, my initial efforts using the camera's built-in stereo microphones were in a word, dismal. The microphones in the camera had a very narrow frequency range with a noticeable notch in the middle, as well as virtually nonexistent stereo separation. I knew I needed to do better. I did quite a bit of research, initially thinking I would go with a shotgun stereo mic, but after reading multiple reviews, decided to go with this Tascam mic. I already had a handheld Tascam digital recorder with very similar mics that made exceptional recordings. I had read several reviews complaining about the plastic shoes on this mic breaking. I figured I would do my best not to bash the mic when mounted (primarily on tripods when taking video) so that this would not be an issue. The mic arrived, I noticed the box looked like it had been opened before. However, the mic inside was fully packaged. I unpacked it, and first looked at the boom/extension. When I picked it up, the shoe fell off of it. Looking closer, the piece of plastic connecting the shoe to the rest of the boom was in fact broken. I figured I would use the mic to do testing, and when I picked it up, the shoe fell of it as well! It too had been broken. Obviously someone had broken the shoes on both the boom and the mic, then returned it - it had been refurbished (i.e. repackaged) and shipped out to me (by desertcart) as new! I was extremely unimpressed with this. To desertcart's credit, they had a replacement (new, this time) unit in my hands two days later, and paid for the return of the broken unit. I then got to use the new mic for the first time that weekend. The results: spectacular! The difference in sound between the on-camera mics and this external mic are like night and day. The on-camera mics sound muddy and tonally narrow, with limited dynamics. The Tascam mic produces excellent sound, quite flat and with very good dynamics. The stereo imaging was excellent, and there was no evidence of overmodulation, despite the high SPL at the event. My tests in a quiet room with these mics on my D5300 did produce an audible noise floor in the form of hiss, at probably -30dB. Some other reviews attribute this to the mics, however I tried plugging the mics into my Tascam recorder, and the hiss was not evident. Therefore I attribute the hiss to the preamp and/or phantom power supply inside the D5300, not the microphones themselves. When recording any kind of decent audio levels the hiss is not evident however. With the boom installed, the sounds of autofocus motors in the lens are barely audible in recordings, and then only when the surrounding area is extremely quiet. Again, when recording any kind of audio level, autofocus motor noise will not be an issue. Overall I am very pleased with the sound of these mics. I will continue to be vigilant in handling the mics when mounted to the camera to try to avoid the shoe breakage issue that is so clearly a problem with them. That said, the manner in which I saw them broken could very likely be easily fixed with application of some epoxy.
Review: When it works it is great but has issues with a lot of cameras - This is a microphone that I owned years ago back when I used a camcorder and was very happy with the results. The problem is that it's design or circuitry or whatever seems to be prone to noise and interference when used with a variety of other cameras. In my case I tried using it with a GoPro which almost worked wonderfully except for the crackling sound that occasionally crept into the recording. Unfortunately totally unacceptable. And it didn't work at all with my DJI Action 4. On the other hand it does sound good with my Panasonic Lumix G9 mirrorless camera. What's definitely nice about it is that quality of the actual microphones as well as the shock mount isolation and it's relatively compact dimensions given what it offers. Unfortunately it's not useful to me anymore because the cameras I want to use it with don't really work that well with it but if it does work well with the camera that you want to use it with, it's a very solid choice for a stereo microphone.

## Features

- The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere
- Easily handles high sound pressures up to 120 dB SPL, and a two-stage output level adjustment switch ensures compatibility with a variety of cameras
- Setup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video
- Included shoe adapter can be attached to the camera accessory shoe, and tripod mounting threads enable attachment to a camera tripod
- An on-board low-cut filter can be switched on and off to cut out low-frequency background noise when needed
- The floating support structure underneath the mics absorbs unwanted handling and mechanical noise, aided by the included noise isolation arm
- Wind noise can be reduced by simply covering the mic unit with the included windscreen

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00GBATPFO |
| Antenna Location | Recording |
| Audible Noise | 120 Decibels |
| Audio Sensitivity | 120 Decibels |
| Best Sellers Rank | #329 in Professional Video Microphones |
| Brand | Tascam |
| Built-In Media | microphone |
| Color | Black |
| Compatible Devices | DSLR Cameras with Shoe Mount |
| Connectivity Technology | Wired |
| Connector Type | 3.5 mm Jack |
| Customer Reviews | 4.0 4.0 out of 5 stars (242) |
| Enclosure Material | Durable and reliable materials |
| Frequency Response | 50 Hz |
| Global Trade Identification Number | 00043774030392 |
| Hardware Platform | Camera |
| Item Dimensions | 6.06 x 3.19 x 8.5 inches |
| Item Type Name | TM-2X - X-Y |
| Item Weight | 0.55 Pounds |
| Manufacturer | Tascam |
| Mfr Part Number | TM-2X |
| Microphone Form Factor | Condenser |
| Model Name | TSTM2X |
| Model Number | TM-2X |
| Number of Channels | 1 |
| Polar Pattern | Unidirectional |
| Power Source | Plug-In Power |
| Signal-to-Noise Ratio | 74 dB |
| Special Feature | Designed with the capacity to easily handle high sound pressures up to 120dB SPL, Directional stereo condenser microphone in an X-Y configuration, Floating support structure used to reduce handling noise, Low-cut filter to eliminate any unwanted low frequencies Included furry windscreen, Vari-angle microphone structure allows 180º rotation for optimal mic placement |
| UPC | 700814500306 043774030392 |
| Unit Count | 1.00 Count |
| Warranty Description | 1 year. |

## Product Details

- **Brand:** Tascam
- **Color:** Black
- **Compatible Devices:** DSLR Cameras with Shoe Mount
- **Connectivity Technology:** Wired
- **Connector Type:** 3.5 mm Jack
- **Included Components:** microphone
- **Model Name:** TSTM2X
- **Polar Pattern:** Unidirectional
- **Recommended Uses For Product:** Recording

## Images

![TM-2X Stereo X-Y Microphone for DSLR Cameras ,Black - Image 1](https://m.media-amazon.com/images/I/61BZV9ZA6dL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Exceptional sound, excellent for high SPL but still quite sensitive
*by S***N on January 29, 2015*

I intended to use my Nikon D5300 for video as well as still shots. In particular, I wanted to use it to take video of live music shows. However, my initial efforts using the camera's built-in stereo microphones were in a word, dismal. The microphones in the camera had a very narrow frequency range with a noticeable notch in the middle, as well as virtually nonexistent stereo separation. I knew I needed to do better. I did quite a bit of research, initially thinking I would go with a shotgun stereo mic, but after reading multiple reviews, decided to go with this Tascam mic. I already had a handheld Tascam digital recorder with very similar mics that made exceptional recordings. I had read several reviews complaining about the plastic shoes on this mic breaking. I figured I would do my best not to bash the mic when mounted (primarily on tripods when taking video) so that this would not be an issue. The mic arrived, I noticed the box looked like it had been opened before. However, the mic inside was fully packaged. I unpacked it, and first looked at the boom/extension. When I picked it up, the shoe fell off of it. Looking closer, the piece of plastic connecting the shoe to the rest of the boom was in fact broken. I figured I would use the mic to do testing, and when I picked it up, the shoe fell of it as well! It too had been broken. Obviously someone had broken the shoes on both the boom and the mic, then returned it - it had been refurbished (i.e. repackaged) and shipped out to me (by Amazon) as new! I was extremely unimpressed with this. To Amazon's credit, they had a replacement (new, this time) unit in my hands two days later, and paid for the return of the broken unit. I then got to use the new mic for the first time that weekend. The results: spectacular! The difference in sound between the on-camera mics and this external mic are like night and day. The on-camera mics sound muddy and tonally narrow, with limited dynamics. The Tascam mic produces excellent sound, quite flat and with very good dynamics. The stereo imaging was excellent, and there was no evidence of overmodulation, despite the high SPL at the event. My tests in a quiet room with these mics on my D5300 did produce an audible noise floor in the form of hiss, at probably -30dB. Some other reviews attribute this to the mics, however I tried plugging the mics into my Tascam recorder, and the hiss was not evident. Therefore I attribute the hiss to the preamp and/or phantom power supply inside the D5300, not the microphones themselves. When recording any kind of decent audio levels the hiss is not evident however. With the boom installed, the sounds of autofocus motors in the lens are barely audible in recordings, and then only when the surrounding area is extremely quiet. Again, when recording any kind of audio level, autofocus motor noise will not be an issue. Overall I am very pleased with the sound of these mics. I will continue to be vigilant in handling the mics when mounted to the camera to try to avoid the shoe breakage issue that is so clearly a problem with them. That said, the manner in which I saw them broken could very likely be easily fixed with application of some epoxy.

### ⭐⭐⭐⭐ When it works it is great but has issues with a lot of cameras
*by M***R on November 20, 2023*

This is a microphone that I owned years ago back when I used a camcorder and was very happy with the results. The problem is that it's design or circuitry or whatever seems to be prone to noise and interference when used with a variety of other cameras. In my case I tried using it with a GoPro which almost worked wonderfully except for the crackling sound that occasionally crept into the recording. Unfortunately totally unacceptable. And it didn't work at all with my DJI Action 4. On the other hand it does sound good with my Panasonic Lumix G9 mirrorless camera. What's definitely nice about it is that quality of the actual microphones as well as the shock mount isolation and it's relatively compact dimensions given what it offers. Unfortunately it's not useful to me anymore because the cameras I want to use it with don't really work that well with it but if it does work well with the camera that you want to use it with, it's a very solid choice for a stereo microphone.

### ⭐⭐⭐⭐⭐ Excellent Video mic! NOT just for DSLRs!
*by U***K on October 15, 2014*

I am running this mic on my Sony HDR-XR 500, HDR XR-500V and HDR-CX700 cameras. Amazing difference in sound quality, especially at the football games! On the weekends I video for the drill team at the nearby high school. At the stadium, I use the mic set on the Low sensitivity. In the gym for the pep rally, I set the mic on the High Sensitivity. Works like a dream. Have not had a need for the boom arm yet, but it looks like it wouldn't take much to break it. I would definitely like TASCAM to build a better arm! Trying to think of a way to reinforce it before I have to use it. The design of the arm makes it entirely too easy to be mistaken for a grab handle!! The shock mount head and dead cat are incredible!! The shock mount actually works. I shot a pep rally in the gym and the students are going crazy, jumping on the bleachers. The Optical Image Stabilization is doing its job on the camera... the mic head, you can see it bouncing in the shock mount doing its job too, so as to not transfer all the impact sound into the mic. Just make sure the mic is pointed at where you want it to be when inside the deadcat outside, when you take it out of your bag. Dec 2014 Update: Mic continues to work like a champ!! If you ignore the bad zoom and some rolling shutter artifacts at the start of the video (had the wrong lens with me the day i shot this, plus the IS was enabled on the lens) here is some video I shot this past weekend in an EXTREMELY LOUD Texas HS 6A Div1 Football playoff game. https://vimeo.com/113819280 - Overall the sound quality of the mic is really good. HUGE improvement over the built-in mic. Much more compact than the Rode mic that my son uses on his camera. - The deadcat is really effective at killing the wind noise. On that same Vimeo stream, its a windy day, with the wind coming from behind me, but whipping around in the stadium. Interesting items noticed: - Had it hooked up to my HD Camcorder, which was mounted on a Manfrotto Tripod, with a Manfrotto fluid pan head on it, with a remote zoom switch on the control arm. (am NOT touching the camera to zoom, but using the on-arm remote zoom switch). - Had my headphones hooked up to the camera as well, so I could hear what the camera was hearing... - I could hear a slight thud through the mic as I gently grabbed the control arm of the tripod. - Hearing that, let me to some "thumping" experiments -- thumped the arm, could hear it -- mounted the mic on the "boom arm" that it comes with, the thumping was noticeably louder -- took the boom off, and unplugged the Tascam... thumps were louder on in-camera mic -- decided to go with the Tascam hooked up like regular. - the "shock mount" on the mic actually works very well. If you look at this video https://vimeo.com/107761350 the Tascam is mounted directly to the top of the camcorder (no boom arm). When the students get into their jumping and going crazy, the bleachers were physically bouncing. I looked up to see what the mic was doing... while the image stabilization was taking care of the camera, the shock mount was taking care of the mic. You could physically see it jiggling with the bleacher bounces, but the movement did not translate into recorded noise. Very nice to see it worked. Enjoy. Just remember, when using the deadcat... remember to check the angle on the mics before you start recording!

## Frequently Bought Together

- Tascam TM-2X Stereo X-Y Microphone for DSLR Cameras ,Black
- SMALLRIG Field Monitor Mount with NATO Clamp, Camera Monitor Holder for 5” and 7” Monitor, Swivel and Tilt Adjustable - 2906B
- SMALLRIG D to A HDMI Cable Ultra Thin HDMI Cable 55cm/1.8Ft, Super Flexible Slim High Speed 4K 60Hz HDR HDMI 2.0, for GoPro Hero 7/6 /5, for Sony A7RIII / A7II / A6600, for FUJIFILM X-T4 / X-T3-3043B

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*Product available on Desertcart Senegal*
*Store origin: SN*
*Last updated: 2026-05-31*