---
product_id: 76055253
title: "Behringer ULTRAGAIN PRO MIC2200 Audiophile Vacuum Tube Microphone/Line Preamplifier"
brand: "behringer"
price: "69591CFA"
currency: XOF
in_stock: false
reviews_count: 13
url: https://www.desertcart.sn/products/76055253-behringer-ultragain-pro-mic2200-audiophile-vacuum-tube-microphone-line-preamplifier
store_origin: SN
region: Senegal
---

# 2 Hz - 200 kHz ultra-wide bandwidth 2 independent preamp channels 2 fully parametric EQs Behringer ULTRAGAIN PRO MIC2200 Audiophile Vacuum Tube Microphone/Line Preamplifier

**Brand:** behringer
**Price:** 69591CFA
**Availability:** ❌ Out of Stock

## Summary

> 🎤 Elevate your sound game with tube-powered clarity and pro-level control!

## Quick Answers

- **What is this?** Behringer ULTRAGAIN PRO MIC2200 Audiophile Vacuum Tube Microphone/Line Preamplifier by behringer
- **How much does it cost?** 69591CFA with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.sn](https://www.desertcart.sn/products/76055253-behringer-ultragain-pro-mic2200-audiophile-vacuum-tube-microphone-line-preamplifier)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Precision Parametric EQs:** Two fully tunable parametric EQs let you sculpt your sound with surgical accuracy—tailor your tone like a pro.
- • **Dual Independent Channels:** Two discrete mic/line inputs deliver versatile, professional-grade sound capture for multitasking pros.
- • **Flexible High-Pass Filter:** Switchable 12 dB high-pass filter cuts unwanted low-end rumble, keeping your mix clean and focused.
- • **Ultra-Wide Frequency Range:** Experience pristine clarity with an expansive 2 Hz to 200 kHz bandwidth that captures every sonic detail.
- • **Audiophile Vacuum Tube Warmth:** Built-in high-quality vacuum tube adds rich, ultra-musical warmth that elevates every vocal and instrument.

## Overview

The Behringer ULTRAGAIN PRO MIC2200 is a dual-channel vacuum tube microphone/line preamplifier designed for professional audio applications. Featuring discrete mic/line inputs, ultra-wide 2 Hz to 200 kHz frequency response, and two fully parametric EQs, it delivers rich, warm tube sound with precise tonal shaping. Its built-in high-quality vacuum tube and switchable 12 dB high-pass filter ensure clean, detailed audio capture, making it a cost-effective powerhouse for studios and broadcasters seeking audiophile-grade performance.

## Description

High-Precision Vacuum Tube Microphone/Line Preamplifier

Review: AMAZING PREAMP DEAL - I operate an alternative broadcast studio, we create music related content and broadcast it on the internet. We needed some stand-alone microphone preamps and after searching the internet I decided to give this Behringer unit a try. This single rack space unit provides two independent microphone preamps, each of which is equipped with a single band of sweepable parametric equalization to adjust the timbre of the final output. Before I even tried the piece as a preamp I opened it up to look inside. DO NOT EXPECT TO CHANGE THE TUBE The tube is mounted in such a way that it is probably impossible to change it out for a different one. Fortunately the preamps sound good with the stock tube. There is no schematic provided so it's really impossible to say how the tube is implemented in the circuit and how much it actually contributes to the tone of the unit. HOW DOES IT SOUND The preamps sound very good, full, rich, crisp highs, deep lows, it's a function of the microphone you connect to it as far as I can tell. For comparison I A-B compared this preamp to our very expensive API 3124+ preamp which is a 4-channel unit that we paid over $500 per preamp-channel for, that is 10-times the price per channel of this Behringer unit. I'm not going to say the Behringer beat the API but they were a dead heat in most listening tests. My female partner who is not too technical (but has great ears) thought the Behringer was just as good as the API. We also have a Grace m801 which is another over-$500/channel preamp, she definitely liked the Behringer sound better than the Grace (personally I think it was the EQ on the Behringer that affected her choice when comparing to the Grace). If my API or Grace preamps go toast I will definitely have them repaired. If the Behringer dies, it's going in the trash and I'll buy another one. It's simple economics and at $100 for two preamps that sound as good as they do these are really nice. They sound good. They have an industry standard packaging. The input and output connectors are excellent. It even has a line input mode so you can add a little tube distortion to a line-level signal (I have not tried this because we don't need it). We broadcast between three and ten, live one-hour shows per week using this preamp for vocals. NOBODY in our listening audience has ever complained and none of them know we switched from our high-end pieces to this very inexpensive preamp. Now our expensive preamps are back over in our production studio and are used for recording tracks that play behind our live performances during the shows. RELIABILITY We have not had any problems with this unit. It is warmed up for an hour before each broadcast, I've never heard any noise or bad stuff come from it. We have A LOT of Behringer gear in our studio, it lives right along side gear from Neve, API, Allen and Heath, UA, Meyer, Lexicon and Apogee. Out of 103 pieces of Behringer equipment I've bought we've had two pieces that had problems and those occurred right out to the box. I had much worse reliability with Crown amplifiers than Behringer products and I really like Crown amps, regardless of the problems, they just sound so good. In my experience the Behringer products have provided professional results for an amazing low price. That's a win-win in my book.
Review: Great sound. Tricky installation. - Took a bunch of days - and huge feedback loops to get this set up correctly. Does lots of different things and does them differently. Ended up created a setup guide mainly for myself, also for others that may have trouble getting it into their home studio. Once you get it installed correctly, you'll find it's a great, great preamp for recording and it gives every mix a nice friendly warmth. And - it's a bargain! NOTE: turning MIC2200 Mic/Line function off/on disconnects/reconnects XLR cables.This lets you switch from Mic2200 Preamp to Tube without recabling. (Green MIC/LINE on is for Preamp. Off is for Tube) NOTE Also, Mixer Main Output cables should be disconnected from 896HD Inputs when Recording, connected when Mixing/Mastering to avoid feedback loops. (You can leave MIC2200 XLR outputs connected. But if not disconnected from the mixer those XLR cables will feed the signal into the 896HD) AND, the MIC2200 XLR output cables should be connected to 896HD Inputs when recording, but disconnected when Mixing/Mastering Recording with MC2200 as preamp Connect XLR cables from Mic or Inst to Mic2200 Inputs Connect XLR cables from MIC2200 outputs to 896hd Inputs Disconnect XLR cables from Mixer to 896HD Inputs Press Mic/Line button on MIC2200 to select PreAmp function(turns Green) Create new track in DP matching 896HD inputs. Select Red REC button. Disable Monitor outputs (speaker) and Blue Play output (arrow) Or get a nasty feedback when you start to record Select DP Output (probably Main Output) Create levels comfortable to MIC2200 (-3) DP (12db) and artist. Disable REC button on DP when finished Mixing/Mastering with MC2200 as tube Connect Phono cables from Mixer Aux Send to MIC2200 Phono Inputs Connect phono cables from Mixer Aux Return to MIC2200 phono outputs Connect XLR cables from Mixer outputs to DP inputs. Check settings. Slowly raise playback levels to make them comfortable to MIC2200 (-3), DP (12db) and artist. Before checking mix/master, turn off MC2200. Or you’ll Tube track twice

## Features

- Discrete mic/line input stages with soft mute +48 V phantom power
- Ultra-wide bandwidth from 2 Hz to 200 kHz for open sound
- Two fully parametric EQ’s with adjustable center frequency, bandwidth and level
- Built-in high-quality vacuum tube for outstanding, ultra-musical tube sound
- Fully tunable and switchable 12 dB high-pass filter

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B000CZ0RHY |
| Antenna Location | Singing |
| Audible Noise | 12 db |
| Audio Sensitivity | 10 db |
| Best Sellers Rank | #238,508 in Musical Instruments ( See Top 100 in Musical Instruments ) #425 in Microphone Preamps |
| Brand | Behringer |
| Built-In Media | Audiophile Vacuum Tube Microphone |
| Color | Slvr/Blk |
| Compatible Devices | Audio Interface, Mixing Console, Professional Recording Equipment |
| Connectivity Technology | XLR |
| Connector Type | XLR |
| Customer Reviews | 4.2 out of 5 stars 212 Reviews |
| Frequency Response | 200 KHz |
| Global Trade Identification Number | 04033653010092 |
| Item Dimensions | 20.87 x 4.21 x 12.01 inches |
| Item Type Name | BEHRINGER |
| Item Weight | 2 kg |
| Manufacturer | Music Tribe US |
| Mfr Part Number | MIC2200 |
| Model Name | MIC2200 |
| Model Number | MIC2200 |
| Number of Batteries | 1 Nonstandard Battery batteries required. |
| Number of Channels | 2 |
| Number of Items | 1 |
| Polar Pattern | Unidirectional |
| Recommended Uses For Product | Singing |
| Signal-to-Noise Ratio | 50 db |
| Special Feature | XLR |
| UPC | 989898858095 772418134072 133587602197 888365314624 736211576644 692000292624 |
| Unit Count | 1 Count |
| Warranty Description | Please refer to http://www.music-group.com/warranty.aspx |

## Product Details

- **Brand:** Behringer
- **Model Name:** MIC2200
- **Connectivity Technology:** XLR
- **Connector Type:** XLR
- **Special Feature:** XLR
- **Compatible Devices:** Audio Interface, Mixing Console, Professional Recording Equipment
- **Color:** Slvr/Blk
- **Included Components:** Audiophile Vacuum Tube Microphone
- **Polar Pattern:** Unidirectional
- **Audio Sensitivity:** 10 Decibels

## Images

![Behringer ULTRAGAIN PRO MIC2200 Audiophile Vacuum Tube Microphone/Line Preamplifier - Image 1](https://m.media-amazon.com/images/I/5125z7Z7ZIL.jpg)
![Behringer ULTRAGAIN PRO MIC2200 Audiophile Vacuum Tube Microphone/Line Preamplifier - Image 2](https://m.media-amazon.com/images/I/51YfJPTlDOL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ AMAZING PREAMP DEAL
*by M***G on February 22, 2012*

I operate an alternative broadcast studio, we create music related content and broadcast it on the internet. We needed some stand-alone microphone preamps and after searching the internet I decided to give this Behringer unit a try. This single rack space unit provides two independent microphone preamps, each of which is equipped with a single band of sweepable parametric equalization to adjust the timbre of the final output. Before I even tried the piece as a preamp I opened it up to look inside. DO NOT EXPECT TO CHANGE THE TUBE The tube is mounted in such a way that it is probably impossible to change it out for a different one. Fortunately the preamps sound good with the stock tube. There is no schematic provided so it's really impossible to say how the tube is implemented in the circuit and how much it actually contributes to the tone of the unit. HOW DOES IT SOUND The preamps sound very good, full, rich, crisp highs, deep lows, it's a function of the microphone you connect to it as far as I can tell. For comparison I A-B compared this preamp to our very expensive API 3124+ preamp which is a 4-channel unit that we paid over $500 per preamp-channel for, that is 10-times the price per channel of this Behringer unit. I'm not going to say the Behringer beat the API but they were a dead heat in most listening tests. My female partner who is not too technical (but has great ears) thought the Behringer was just as good as the API. We also have a Grace m801 which is another over-$500/channel preamp, she definitely liked the Behringer sound better than the Grace (personally I think it was the EQ on the Behringer that affected her choice when comparing to the Grace). If my API or Grace preamps go toast I will definitely have them repaired. If the Behringer dies, it's going in the trash and I'll buy another one. It's simple economics and at $100 for two preamps that sound as good as they do these are really nice. They sound good. They have an industry standard packaging. The input and output connectors are excellent. It even has a line input mode so you can add a little tube distortion to a line-level signal (I have not tried this because we don't need it). We broadcast between three and ten, live one-hour shows per week using this preamp for vocals. NOBODY in our listening audience has ever complained and none of them know we switched from our high-end pieces to this very inexpensive preamp. Now our expensive preamps are back over in our production studio and are used for recording tracks that play behind our live performances during the shows. RELIABILITY We have not had any problems with this unit. It is warmed up for an hour before each broadcast, I've never heard any noise or bad stuff come from it. We have A LOT of Behringer gear in our studio, it lives right along side gear from Neve, API, Allen and Heath, UA, Meyer, Lexicon and Apogee. Out of 103 pieces of Behringer equipment I've bought we've had two pieces that had problems and those occurred right out to the box. I had much worse reliability with Crown amplifiers than Behringer products and I really like Crown amps, regardless of the problems, they just sound so good. In my experience the Behringer products have provided professional results for an amazing low price. That's a win-win in my book.

### ⭐⭐⭐⭐⭐ Great sound. Tricky installation.
*by I***O on March 19, 2015*

Took a bunch of days - and huge feedback loops to get this set up correctly. Does lots of different things and does them differently. Ended up created a setup guide mainly for myself, also for others that may have trouble getting it into their home studio. Once you get it installed correctly, you'll find it's a great, great preamp for recording and it gives every mix a nice friendly warmth. And - it's a bargain! NOTE: turning MIC2200 Mic/Line function off/on disconnects/reconnects XLR cables.This lets you switch from Mic2200 Preamp to Tube without recabling. (Green MIC/LINE on is for Preamp. Off is for Tube) NOTE Also, Mixer Main Output cables should be disconnected from 896HD Inputs when Recording, connected when Mixing/Mastering to avoid feedback loops. (You can leave MIC2200 XLR outputs connected. But if not disconnected from the mixer those XLR cables will feed the signal into the 896HD) AND, the MIC2200 XLR output cables should be connected to 896HD Inputs when recording, but disconnected when Mixing/Mastering Recording with MC2200 as preamp Connect XLR cables from Mic or Inst to Mic2200 Inputs Connect XLR cables from MIC2200 outputs to 896hd Inputs Disconnect XLR cables from Mixer to 896HD Inputs Press Mic/Line button on MIC2200 to select PreAmp function(turns Green) Create new track in DP matching 896HD inputs. Select Red REC button. Disable Monitor outputs (speaker) and Blue Play output (arrow) Or get a nasty feedback when you start to record Select DP Output (probably Main Output) Create levels comfortable to MIC2200 (-3) DP (12db) and artist. Disable REC button on DP when finished Mixing/Mastering with MC2200 as tube Connect Phono cables from Mixer Aux Send to MIC2200 Phono Inputs Connect phono cables from Mixer Aux Return to MIC2200 phono outputs Connect XLR cables from Mixer outputs to DP inputs. Check settings. Slowly raise playback levels to make them comfortable to MIC2200 (-3), DP (12db) and artist. Before checking mix/master, turn off MC2200. Or you’ll Tube track twice

### ⭐⭐⭐⭐ Reliable for the Price
*by T***A on January 31, 2019*

Is this going to compete with a preamp listed at 10x the value? absolutely not, but they are reliable and not too noisy. I often use these to power room mics and/or talkback mics and I leave these on all the time. These also give my high-quality preamps a rest when doing day-long video/audio sessions and similar when audio doesn't need to be mixed for music. I wouldn't use these for cutting an album if I had any other options available but who knows, if you're creative in the box and you have a lot of digital simulation to work with, these aren't going to hum like crazy, at least mine don't, and you might be able to use them depending on what you are trying to do. I will say, that big ol' level meter is sure easy to glance at and tell whether or not you've got a solid level coming through; design is pretty ergonomic.

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*Product available on Desertcart Senegal*
*Store origin: SN*
*Last updated: 2026-08-26*