---
product_id: 6925939
title: "TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS\", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)"
brand: "tascam"
price: "335067CFA"
currency: XOF
in_stock: true
reviews_count: 13
url: https://www.desertcart.sn/products/6925939-tascam-4-channel-portable-audio-recorder-for-videographers-2-combo
store_origin: SN
region: Senegal
---

# 96kHz/24-bit WAV high-res audio capture 2 combo XLR/TRS inputs with 48V phantom power 4-channel simultaneous recording TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)

**Brand:** tascam
**Price:** 335067CFA
**Availability:** ✅ In Stock

## Summary

> 🎧 Elevate your audio game—because your visuals deserve sound as sharp as your vision.

## Quick Answers

- **What is this?** TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) by tascam
- **How much does it cost?** 335067CFA with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sn](https://www.desertcart.sn/products/6925939-tascam-4-channel-portable-audio-recorder-for-videographers-2-combo)

## Best For

- tascam enthusiasts

## Why This Product

- Trusted tascam brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Reliable Backup Power:** Swap AA batteries mid-session or extend with USB power banks for marathon shoots.
- • **Compact Rig-Ready Design:** Fits seamlessly under DSLR rigs with tripod mounts for on-the-go professional setups.
- • **Crystal-Clear HDDA Preamps:** Up to 64dB gain with ultra-low noise ensures pristine sound quality every time.
- • **Versatile Mic & Line Inputs:** Dual combo XLR/TRS and 3.5mm inputs support everything from wireless lavs to mixers.
- • **Pro-Level Multi-Track Mastery:** Capture up to 4 channels simultaneously for flawless, layered audio.

## Overview

The TASCAM DR-60DmkII is a compact, DSLR-friendly 4-channel portable audio recorder designed for videographers and content creators. It features dual combo XLR/TRS inputs with 48V phantom power, dual 3.5mm inputs, and high-definition HDDA preamps delivering up to 64dB gain. Capable of recording up to 96kHz/24-bit WAV files directly to SD cards, it offers professional-grade sound capture with physical controls and versatile mounting options, making it an essential tool for clean, reliable audio in any video production workflow.

## Description

Product description Tascam 4-Channel Portable Audio Recorder DR-60DMK2 New, smooth XLR/TRS combo jacks. The XLR mic/line inputs can provide phantom power (+24V/+48V). TRS mic/line inputs support +24 dBu input when used as line inputs. New, smooth XLR/TRS combo jacks. The XLR mic/line inputs can provide phantom power (+24V/+48V). TRS mic/line inputs support +24 dBu input when used as line inputs. Automatic power switching. Power source switches automatically from external to internal when necessary (with pop-up message on display). Automatic power switching. Power source switches automatically from external to internal when necessary (with pop-up message on display). Maximum input gain of 64 dB. "HI+PLUS" setting allows a maximum input gain of 64 dB capturing every nuance of a performance. Maximum input gain of 64 dB. "HI+PLUS" setting allows a maximum input gain of 64 dB capturing every nuance of a performance. High-quality audio. Two camera outputs with different levels allow audio signal to be sent to a line or mic input of a DSLR camera for recording. High-quality audio. Two camera outputs with different levels allow audio signal to be sent to a line or mic input of a DSLR camera for recording. Which TASCAM Recorder is Right for You? DR-60DMK2 DR-70D FR-AV2 DR-40 Portacapture X8

Review: Professional Redundancy and Crystal Clear Audio Capture - The Setup: The Tascam DR-60D MKII is the final piece of my recording chain. I feed the main outputs from my Pyle 12-Channel Mixer directly into the Tascam. This allows me to capture everything—my Rode Procaster (boosted by Triton FetHeads), my Numark Mixtrack Platinum, and live phone calls—all onto a high-speed SD card. ​Why It’s Essential for My Workflow: ​Redundancy: Even though I run my podcast through a PC, I never trust a computer alone. The DR-60D MKII gives me a dedicated hardware backup. If my PC lags or the software crashes, the Tascam keeps rolling with uncompressed, professional audio. ​Clean Preamps: While my FetHeads do the heavy lifting for the mics, the Tascam's HDDA preamps ensure that the line-level signal coming from the mixer remains pristine with massive headroom. ​Ease of Use: The physical gain knobs and "one-touch" recording make it much faster to adjust on the fly than clicking through software menus during a live show. ​Design & Portability: The tripod mount on the top and bottom is a great touch. It fits perfectly into my studio rig, but it’s also small enough that I could take it on the road with my Deity V-Mic D4 Minis and Canon M50 for a mobile interview setup. It’s built like a tank and handles the daily grind of podcasting and DJing without a hiccup. ​Final Verdict: For any serious creator, the Tascam DR-60D MKII is the best way to move from "hobbyist" to "professional." It provides the peace of mind that your audio is always being captured in the highest possible quality.
Review: Clean preamps, easy to use and tiny - The DR-60D MKII is optimized for DSLR video audio—lacking music extras like a tuner and metronome—but sports most of features of the DR-40 but housed in a tripod and camera friendly case. APPEARANCE & BUILD: Although small, the boxy form factor isn’t palm friendly and is at its best on a Magic Arm or tripod. The plastic body feels well made but isn’t as sturdy as the metal clad DR-100 II. Unlike most Tascam portables, there are no built-in mics. A tiny monochrome LCD displays levels, modes and menus. It’s not a touchscreen but is clearly visible in darkness and direct sunlight. And, because it’s not angled like the DR-70D LCD, it’s visible in a bag, on the floor or topside a camera. A tripod socket beneath and tripod bolt above allow connection to studio support and cameras. I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery pack. CONTROLS: I choose the DR-60D MKII over the DR-70D due to the abundance of physical controls—specifically phantom power switches—and the forward facing LCD. When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII. The rubberized buttons and wheels operate smoothly and are easy to access. Channels 1/2 have individual gain controls but, oddly, 3/4 sports only a single global level adjustment. MIC CONNECTION: Combo XLR and TRS inputs allow recording from external mics or line level sources such as mixers or outboard mic preamps. XLR preamps have four levels of input sensitivity but, unlike the DR-100 II, sensitivity is set via menus (no switches). There’s a switch to toggle XLR inputs from mic, phantom power and line level. Mini/3.5 mm stereo mic input is also supported, defaulting to channels 3/4. Power for the 3.5mm mic input lacks a switch and must be activated from a menu. BATTERIES: Four AA batteries are housed in a backside compartment. Batteries can be swapped out while the unit is on a tripod. I use Eneloop Pro rechargeable batteries and they only last about four hours with 48v phantom power. Standard Eneloop work okay but the slightly larger size make them tough to install/remove. The short battery life is disappointing but easy to work around (see below). The mini-USB port is only for bus power or uploading to a computer. For long sessions I plug in a USB “lipstick” battery bank and it yields an additional four or five hours. For marathon sessions I strap on a USB battery bank, the Anker Astro E4 13000mAh Portable Charger : power for days with phantom power and can be attached to the top of the DR-60D with a smartphone tripod mount. SOUND QUALITY: I mainly record soft finger picked guitars and preamps have plenty of gain when set to “high” sensitivity: 25 to 50% gain for -12 dB set with KM-184 mics. Quiet passages and rests of classical guitar pieces were wonderfully clean and devoid of noise. Preamps are significantly cleaner than the DR-40 and a notch better than the DR-100 II. The DR-60 MKII and two Neumann KM-184 mics were used to record the audio of my uploaded video at 48kHz/24 bit (synced to EOS 70D video). Finally, the 60D MKII can record various combinations of stereo and mono modes, e.g., stereo plus two mono tracks, but these tracks must be recorded simultaneously. In other words, unlike the DR-40 and DR-44WL, it lacks the ability to “punch in,” while playing back a track. Normally I’d add additional audio in a DAW during post production but it seems odd to omit such features when similar units have them. LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor for "selfie" audio and video recording. Operation is straightforward and I barely needed to open the manual. Cons are short battery life, no built-in mics, small LCD and no punch-in features. All in all, the DR-60D MKII is a great choice for those needing to record live music performances and DSLR audio.

## Features

- Fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limits of the camera’s microphone in
- Record up to 4 channels at a time to the internal SD Card, at up to 96kHz/24-bit WAV file resolution
- Two mic inputs utilize locking XLR connectors with 48V phantom power; the other two use a 1/8” stereo connector for wireless and lav mics
- The channel 3/4 input connector supports a high-level maximum input – up to +10dBV
- The upgraded HDDA preamps provide up to 64dB of gain and some of the lowest noise levels available

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00MIXFBL0 |
| Best Sellers Rank | #45,537 in Musical Instruments ( See Top 100 in Musical Instruments ) #28 in Digital Multitrack Recorders |
| Brand | Tascam |
| Built-In Media | Audio Recorder |
| Compatible Devices | Camera, MP3 Player, Personal Computer |
| Customer Reviews | 4.5 out of 5 stars 1,082 Reviews |
| Digital Recording Time | 25.6 minutes |
| Format | WAV |
| Global Trade Identification Number | 00043774031023 |
| Hardware Interface | 3.5mm Audio, USB |
| Headphones Jack | 3.5 millimeters |
| Item Dimensions D x W x H | 3.1"D x 5.2"W x 3.7"H |
| Item Type Name | DR-60DmkII |
| Item Weight | 1.12 Pounds |
| Manufacturer | Tascam |
| Memory Storage Capacity | 64 MB |
| Mfr Part Number | DR-60DMKII |
| Microphone Form Factor | Built-In |
| Microphone Operation Mode | Stereo |
| Model Number | DR-60DMK2 |
| Number of Batteries | 4 AA batteries required. |
| Screen Size | 1.75 |
| UPC | 043774031023 |
| Unit Count | 1.0 Count |
| Warranty Description | 90 days labor. |

## Product Details

- **Brand:** Tascam
- **Compatible Devices:** Camera, MP3 Player, Personal Computer
- **Format:** WAV
- **Hardware Interface:** 3.5mm Audio, USB
- **Headphones Jack:** 3.5 millimeters
- **Item Weight:** 1.12 Pounds
- **Memory Storage Capacity:** 64 MB
- **Microphone Form Factor:** Built-In
- **Number of Batteries:** 4 AA batteries required.
- **Product Dimensions:** 3.1"D x 5.2"W x 3.7"H

## Images

![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 1](https://m.media-amazon.com/images/I/61xuo-tSN-L.jpg)
![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 2](https://m.media-amazon.com/images/I/71Sglz9-mZL.jpg)
![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 3](https://m.media-amazon.com/images/I/71F3Syk73rL.jpg)
![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 4](https://m.media-amazon.com/images/I/71Qqnsl-z-L.jpg)
![TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII) - Image 5](https://m.media-amazon.com/images/I/71NWX42q4IL.jpg)

## Available Options

This product comes in different **Style** options.

## Questions & Answers

**Q: What's a good USB battery pack to pair with this?**
A: Right now I use the Blackwed, model # BWB15TA223, it's a 8000mAh bank. Was able to get a few good hours out of it.

**Q: Will this internally record four discrete channels (One for each input) or does it automaticaly down mix into stereo?**
A: The Tascam DR-60DMKII can record 4 independent channels. These output into two stereo recording files as CH1/2 and CH3/4.

**Q: I have a problem with the 60D not working with rechargeable batteries, even after changing the battery settings. Anyone else have this? Know of a fix?**
A: A small number of the early production runs had this problem. There is nothing to do but return for exchange. I bought 6 of these for our department, one of them had this problem. The alkaline/NiMH setting in the menu has nothing to do with this - the different battery chemistries have different discharge curves - the setting merely insures that the 'battery remaining' indicator is accurate. I'm not certain what causes the problem but my guess is the difference between the 1.5V alk. and the 1.2V NiMH. Just a guess.

**Q: Says it does 4 channel recording. It takes 4 individual channels and combines them to 2 stereo channels.  Is there a way to maintain 4 separate channe**
A: Pretty much any audio editing program will allow you to separate the left and right channels and then save them separately. Just make sure you save them in the same format that they were recorded in. Im pretty sure reaper is still free.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Professional Redundancy and Crystal Clear Audio Capture
*by S***H on December 24, 2025*

The Setup: The Tascam DR-60D MKII is the final piece of my recording chain. I feed the main outputs from my Pyle 12-Channel Mixer directly into the Tascam. This allows me to capture everything—my Rode Procaster (boosted by Triton FetHeads), my Numark Mixtrack Platinum, and live phone calls—all onto a high-speed SD card. ​Why It’s Essential for My Workflow: ​Redundancy: Even though I run my podcast through a PC, I never trust a computer alone. The DR-60D MKII gives me a dedicated hardware backup. If my PC lags or the software crashes, the Tascam keeps rolling with uncompressed, professional audio. ​Clean Preamps: While my FetHeads do the heavy lifting for the mics, the Tascam's HDDA preamps ensure that the line-level signal coming from the mixer remains pristine with massive headroom. ​Ease of Use: The physical gain knobs and "one-touch" recording make it much faster to adjust on the fly than clicking through software menus during a live show. ​Design & Portability: The tripod mount on the top and bottom is a great touch. It fits perfectly into my studio rig, but it’s also small enough that I could take it on the road with my Deity V-Mic D4 Minis and Canon M50 for a mobile interview setup. It’s built like a tank and handles the daily grind of podcasting and DJing without a hiccup. ​Final Verdict: For any serious creator, the Tascam DR-60D MKII is the best way to move from "hobbyist" to "professional." It provides the peace of mind that your audio is always being captured in the highest possible quality.

### ⭐⭐⭐⭐⭐ Clean preamps, easy to use and tiny
*by P***Y on December 5, 2015*

The DR-60D MKII is optimized for DSLR video audio—lacking music extras like a tuner and metronome—but sports most of features of the DR-40 but housed in a tripod and camera friendly case. APPEARANCE & BUILD: Although small, the boxy form factor isn’t palm friendly and is at its best on a Magic Arm or tripod. The plastic body feels well made but isn’t as sturdy as the metal clad DR-100 II. Unlike most Tascam portables, there are no built-in mics. A tiny monochrome LCD displays levels, modes and menus. It’s not a touchscreen but is clearly visible in darkness and direct sunlight. And, because it’s not angled like the DR-70D LCD, it’s visible in a bag, on the floor or topside a camera. A tripod socket beneath and tripod bolt above allow connection to studio support and cameras. I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery pack. CONTROLS: I choose the DR-60D MKII over the DR-70D due to the abundance of physical controls—specifically phantom power switches—and the forward facing LCD. When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII. The rubberized buttons and wheels operate smoothly and are easy to access. Channels 1/2 have individual gain controls but, oddly, 3/4 sports only a single global level adjustment. MIC CONNECTION: Combo XLR and TRS inputs allow recording from external mics or line level sources such as mixers or outboard mic preamps. XLR preamps have four levels of input sensitivity but, unlike the DR-100 II, sensitivity is set via menus (no switches). There’s a switch to toggle XLR inputs from mic, phantom power and line level. Mini/3.5 mm stereo mic input is also supported, defaulting to channels 3/4. Power for the 3.5mm mic input lacks a switch and must be activated from a menu. BATTERIES: Four AA batteries are housed in a backside compartment. Batteries can be swapped out while the unit is on a tripod. I use Eneloop Pro rechargeable batteries and they only last about four hours with 48v phantom power. Standard Eneloop work okay but the slightly larger size make them tough to install/remove. The short battery life is disappointing but easy to work around (see below). The mini-USB port is only for bus power or uploading to a computer. For long sessions I plug in a USB “lipstick” battery bank and it yields an additional four or five hours. For marathon sessions I strap on a USB battery bank, the Anker Astro E4 13000mAh Portable Charger : power for days with phantom power and can be attached to the top of the DR-60D with a smartphone tripod mount. SOUND QUALITY: I mainly record soft finger picked guitars and preamps have plenty of gain when set to “high” sensitivity: 25 to 50% gain for -12 dB set with KM-184 mics. Quiet passages and rests of classical guitar pieces were wonderfully clean and devoid of noise. Preamps are significantly cleaner than the DR-40 and a notch better than the DR-100 II. The DR-60 MKII and two Neumann KM-184 mics were used to record the audio of my uploaded video at 48kHz/24 bit (synced to EOS 70D video). Finally, the 60D MKII can record various combinations of stereo and mono modes, e.g., stereo plus two mono tracks, but these tracks must be recorded simultaneously. In other words, unlike the DR-40 and DR-44WL, it lacks the ability to “punch in,” while playing back a track. Normally I’d add additional audio in a DAW during post production but it seems odd to omit such features when similar units have them. LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor for "selfie" audio and video recording. Operation is straightforward and I barely needed to open the manual. Cons are short battery life, no built-in mics, small LCD and no punch-in features. All in all, the DR-60D MKII is a great choice for those needing to record live music performances and DSLR audio.

### ⭐⭐⭐⭐ No noise. Works great.
*by L***S on September 7, 2015*

Really great recorder. There is basically no noise added by this recorder. I have used a combination of mics and they all sound as great as expected. I don't expect a digital recorder in this price range to introduce noise and this one if perfect. Lots of great features and I like that many are accessible without having to go too deep into the menus. It is well built and you will not have any issues confidently attaching your camera to the top of this unit. Battery life is horrible. If you need portability than I suggest you invest in a backup cell phone battery pack. Get the biggest one you can afford. If you are stationary while recording then just bring your cell phone charger and plug in the included cable. The cable provided is very short so one day you will be buying a longer one. No wall plug is provided but any USB plug should work. I am using the Belkin 12watt USB charger and it works perfectly. The manual warns that some USB chargers (such as laptops etc.) may not deliver enough juice for the unit to generate enough phantom power so just get a good modern USB charger. The biggest issue I have is that it seems as if the headphone amp is noisy. When setting levels etc. I have found that with the gain turned up and the headphones turned up, where I can hear clearly, there is noticeably hiss. However when I play back the recorded files on my computer there is absolutely no hiss at all. The recordings are perfect. It is hard to adjust the levels using the headphones to determine the point at which there is no noise when the headphone jack is introducing its own noise at high volume. I have learned to trust that there is no noise. My second issue is that although the unit is a 4-channel recorder there are not 4 fully independent channels. channels 1 and 2 are completely independent with separate gains, limiters, filters etc. Channels 3 and 4 however are combined together with the limit, gain, etc. controls affecting both channels equally all of the time. My final issue is that when I record on all 4 channels I get 2 stereo files. Given that channels 1 and 2 are completely independent I would have preferred to get a separate file for each channel. But any way the channels are easy enough to separate in post production.

## Frequently Bought Together

- TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter (DR-60DmkII)
- Hermitshell Travel Case for Tascam DR-60DMKII 4-Channel Portable Audio Recorder
- NEEWER NW-7000 Microphone Boom Arm, 3 Section Extendable Handheld Mic Arm with 3/8" & 3/8" to 5/8" Screw Adapter, 3ft to 8ft Adjustable Length,Auxiliary

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*Product available on Desertcart Senegal*
*Store origin: SN*
*Last updated: 2026-06-01*