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In 1987, four musicians got together for what they envisioned would be a one-time performance at Tipitina s in New Orleans. It was a night of mostly acoustic music sparse instrumentation with a strong emphasis on songwriting and vocal harmonies. The show far exceeded expectations, and on that March night the Subdudes were born. Nearly 23 years later, after numerous well-received albums and several years of hard touring, The Subdudes (Tommy Malone, John Magnie, Steve Amede, Tim Cook and Jimmy Messa) keep groovin along with the release of their newest album, Flower Petals.Flower Petals, in fact, has something of an Old West flavor. The songs are loosely tied together by a common theme, set at the turn of the century and mostly told from the point of view of a soldier who has passed on. Toward the end of the recordings, the narrator's spirit is finally released to the great beyond.Interestingly, Flower Petals was originally envisioned as the follow-up to Miracle Mule, the first post-reunion CD by the band that was released in 2004. By August of 2005, the songs for Flower Petals were all written, and rough demo recordings had been made. The band s label at the time, however, persuaded the band to put the project on the backburner and focus on what the label thought would be more appealing: slicker, more commercial songs. In conversations through the years, each of the band members, though, has talked about wanting to * to Flower Petals. Then, last fall, the band embarked on an all-acoustic tour and the guys found themselves * to the stripped-down sound that harkened back to their earliest days as the Subdudes. It was the perfect sound to complement the rootsy, Americana songs of Flower Petals, so proper studio work on the songs finally got under way earlier this year.The band performs mostly unplugged on the recordings
M**S
Subdudes
10 out of 10
J**D
Subtle Subdudes
They may have delayed the release of this excellent album (for various reasons) but make no mistake, it is one of The Subdudes' best. Probably New Orleans' best kept secret, they have been making great music for quite some time now with the voices of Messrs Malone & Magnie weaving and complimenting the Bayou melodies and second line rhythms to very good effect. It's a bit more gentle and therefore subtle than some more uptempo stuff, but I think that this just proves their value and position in the unclassifyable genre that they revel in.
R**O
sweet subdudes
Few bands reform and then go on to make better music, but since they got back together for "Miracle Mule" in 2003 the Subdudes have managed it. As one of the other reviews has said, this is a period piece and concept album; a dark tale of love, murder and retribution. Think Desperado, but with better songs and harmonies. The atmosphere is evocative, the songs paint vivid pictures, with trademark Subdudes sound of lush harmonies, percussion and John Magnie's accordion lapping around everything. May just be the best thing they've ever done. And for the record, I think the "flower petal girl" did it.
B**E
A mystery tale from the 'dudes.
It's all here in a stripped down form, strong songs, great musicianship and trademark harmonies and Al Kooper guesting on organ! Guest Vern Monnett adds some tasty pedal steel and dobro while Steve Amedee swaps his tambourine for mandolin. Petals is a concept album, remember them?, although the songs do stand up on their own. I've only listened a few time and I'm still trying to work out who killed the soldier! Great work from Tommy Malone and John Magnie, with Tim Cook and Jimmy Messa doing their job share bass thing. These guys sound so comfortable and confident. Did I mention the trademark harmonies?
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