---
product_id: 50044122
title: "Behringer DR600 Digital Stereo Reverb Effects Pedal, Silver, 1 Count"
brand: "behringer"
price: "63119CFA"
currency: XOF
in_stock: true
reviews_count: 12
category: "Behringer"
url: https://www.desertcart.sn/products/50044122-behringer-dr600-digital-stereo-reverb-effects-pedal-silver-1-count
store_origin: SN
region: Senegal
---

# Intuitive real-time controls Stereo dual output jacks 6 high-res 24-bit reverbs Behringer DR600 Digital Stereo Reverb Effects Pedal, Silver, 1 Count

**Brand:** behringer
**Price:** 63119CFA
**Availability:** ✅ In Stock

## Summary

> 🎵 Elevate your soundscape — studio-quality reverb, anywhere, anytime.

## Quick Answers

- **What is this?** Behringer DR600 Digital Stereo Reverb Effects Pedal, Silver, 1 Count by behringer
- **How much does it cost?** 63119CFA with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sn](https://www.desertcart.sn/products/50044122-behringer-dr600-digital-stereo-reverb-effects-pedal-silver-1-count)

## Best For

- behringer enthusiasts

## Why This Product

- Trusted behringer brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Pro-Level Value:** Premium digital reverb effects at a price that keeps your pedalboard both sleek and powerful.
- • **Studio-Grade Sonic Depth:** Transform any space with rich, warm 24-bit reverbs that rival top-tier studios.
- • **Versatile Reverb Palette:** Six distinct modes—Spring, Plate, Hall, Gate, Room, Modulate—tailored for every vibe.
- • **Immersive Stereo Experience:** Dual outputs deliver lush, enveloping stereo sound that captivates your audience.
- • **Effortless Control & Visibility:** Dedicated knobs for Mode, Level, Tone, and Time plus LED status for instant feedback.

## Overview

The Behringer DR600 Digital Stereo Reverb Pedal offers six professional-grade 24-bit reverb effects with intuitive controls and stereo outputs, delivering rich, immersive sound for live performances and recordings. Compact and affordable, it brings studio-quality ambiance to your pedalboard with ease and precision.

## Description

From the manufacturer DR600 Digital Stereo Reverb Effects Pedal Ultimate digital reverb effects pedal comparable to state-of-the-art studio processors This Behringer product has been designed to compete head to head with leading products on the market 24-bit high-resolution stereo reverbs including Spring, Plate, Hall, Gate, Room and Modulate Dedicated Mode, Time, Tone and Level controls for awesome sound shaping Status LED for effect on/off and power status indicator. Behringer PSU-HSB-ALL DC power supply recommended (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode DIGITAL REVERB DR600 You wouldn’t think of using anything less than best reverb you could get – in the studio! So why would you even consider using anything less at your live gig? Now you can add the rich, warm sound of studio-grade reverb to any occasion with the mind-blowing DIGITAL REVERB DR600. The DR600 always provides the ideal finishing touch to any great recording or live performance. What Is Reverb? Reverb emulates the natural echo that occurs because of an environment’s acoustic reflections. Think of how your guitar would sound if you plucked a note, while standing in a big empty gymnasium. Your sound would come back from all around you, at differing arrival times, due to being reflected off multiple surfaces. The DR600 can produce that same sound, even if you’re playing in your loft apartment or bedroom! Six Pack Choose from the DR600's six stunning 24-bit, high-resolution reverbs including Spring, Plate, Hall, Gate, Room and Modulate. With its dual output jacks, the DR600’s immaculate and luscious stereo enhancement will capture your audience like never before. Ease of Use Just select the reverb type with the Mode control, and then dial in the Level, Tone and Time. It just doesn’t get any easier than this. The status LED tells you when the DR600 is activated, and the top-quality on/off switch maintains incredible signal integrity when in bypass mode. You can power your DR600 with the PSU-HSB-ALL DC power supply (not included). Sound Value The DIGITAL REVERB DR600 brings 6 of the most-wanted, 24-bit, high-resolution stereo reverbs to a stomp box near you, including rich and warm Spring, Plate, Hall, Gate, Room and Modulate reverberation effects. Now studio-quality enhancement is just a toe-tap away with the DIGITAL REVERB DR600. Go see your local authorized dealer, or order online today – your DR600 will add the professional touch that will breathe new life into your music.

Review: Ridiculously close to the original HM-2, with some added versatility. - You're probably here for ONE of two reasons: Either 1.) It's cheap, it's bright pink and it says heavy metal on it. Or 2.) You've heard that this sounds identical to the original Boss HM-2 Heavy Metal, made famous by all those Swedish death metal bands. If you're here for reason 1, skip on this pedal, and go buy the UM300 Ultra Metal (cheap, pink Metal Zone clone), as the HM300 most likely isn't the heavy metal sound you have in mind. The UM300 can dial in a lot more standard metal tones, it's quite versatile and it's actually not that bad. If it's reason 2, then you can definitely believe what you've heard. I have a MIJ Boss HM-2, and I picked this up on a whim as I'd heard what it supposedly does. For £20, I thought "what's the worst that can happen?" especially after hearing the demos. The side-by-side comparisons were spot on. The HM300 is as close as you're going to get to the original HM-2, and if you don't fancy spending £100 in a beaten up, 25 year old HM-2 (or up to £250 on a boutique clone like the Left Hand Wrath which doesn't really sound all that much like the HM-2 anyway), then get this. Obviously the original HM-2 has a certain cool-factor and an everlasting re-sale value, but honestly - and you boutique pedalheads might scoff at this - I now prefer the HM300. The "sweet-spot" is slightly different. The HM-2's sweet spot is all the dials at 10, and the pedal sounds like garbage if you dial in anything BUT that. Whereas the HM300 is similar, though you roll off the "High" EQ (which on some models, they've called "Mid") just a *little* bit, though you can have it full, but it will give you a very cutting tone. which is great for leads, but is far too fizzy for that thick, saturated rhythm sound you're probably looking for. You can also roll off the distortion a little bit (to about 3 o-clock), which still gives you an incredible amount of gain, but it seems to ease off on the throttling compression you get at maximum gain, and the chugged palm mutes start to sound a bit more thrash-like; clear and stabby and less like an atomic bomb going off. That versatility is important for getting it to sit right with your amp. Unlike the HM-2, which if it doesn't sound good with your amp with the pedal's dials maxed out, then you are fighting a losing battle. It sounds like the original, with that added room to maneuver around your amp's natural tone. If your amp is bright, roll off the High. If your amp/cab gets a bit farty with low end, roll off the distortion, to get a much more level chug sound without compromising *that* tone. From my experience, you just can't do that with the HM-2. It's either all or nothing. With this, you have some wiggle room. Not only that, but it sounds GOOD. So close to the original that I feel a bit silly paying £100 for a Boss HM-2 some years ago. The ONLY downside is that it's plastic. For a stomp-box, I am worried as to how many stomps it will be able to take. But the tone is worth preserving, and for such a low price, you could use the money you saved on not buying a HM-2 to get a DIY FX pedal maker/modder to rehouse this for you, into something more resilient, if you really wanted to. Or you could just be careful with it. It's up to you. I am told they are more sturdy than they look and feel by folks who have had theirs a long time. We'll see. I haven't rehoused mine yet, but I am thinking about it. Ignore the reviews saying that it's bad. They just didn't know what they were buying. If you are buying this with either Swedish Death Metal in mind or that crusty grind/hardcore sound like Nails, Trap Them, Black Breath etc (which is pure Swedish Death Metal worship anyway), then you will not be disappointed! If you want a crisp, clear Brown Sound or a modern Metalcore sound, then this won't do it.
Review: Awesome Awesome Awesome (see what I did there? ha ha ha) - What!!!! This pedal is superb, and at this price an absolute no-brainer. I have an original 1970's Watkins IC300 Copycat tape delay unit, and this pedal certainly gives a superb emulation of that! It goes from classic slap back all the way to absolute chaos. The only thing I can say is - BUY ONE NOW!

## Features

- Studio-Quality Reverb: Add rich, warm, studio-grade reverb to any live performance or recording with the DR600, delivering professional sound in any setting
- Six Stunning Reverbs: Choose from six high-resolution, 24-bit reverb effects, including Spring, Plate, Hall, Gate, Room, and Modulate, for versatile sound design
- Easy Control: Quickly adjust reverb type, level, tone, and time with intuitive controls, while the status LED ensures visibility of activation
- Stereo Enhancement: Dual output jacks provide immersive stereo reverb, offering lush sound that captivates your audience with every performance
- Exceptional Value: Get six premium reverb effects at an affordable price, bringing high-quality sound enhancements right to your pedalboard

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B001GD07SK |
| Back Material | Metal |
| Batteries | 1 9V batteries required. |
| Battery Type | Alkaline |
| Body Material | Metal with Silver Finish |
| Colour | Silver |
| Connector | 1/4" audio jack |
| Country Produced In | china |
| Customer Reviews | 4.3 4.3 out of 5 stars (27,248) |
| Date First Available | 24 Oct. 2008 |
| Hardware Interface | 1/4-inch Audio |
| Item Weight | 400 g |
| Item model number | DR600 |
| Material Type | Silver |
| Neck Material Type | Metal |
| Number of Strings | 6 |
| Power Source | Corded Electric |
| Product Dimensions | 7.01 x 5.41 x 12.29 cm; 400 g |
| Signal Format | Digital |
| Size | 1 Count |
| String Material | Nickel |
| Voltage | 9 |

## Product Details

- **Brand:** Behringer
- **Colour:** Silver
- **Item weight:** 400 g
- **Product dimensions:** 7L x 5.4W x 12.3H centimetres
- **Style:** DIGITAL REVERB DR600

## Images

![Behringer DR600 Digital Stereo Reverb Effects Pedal, Silver, 1 Count - Image 1](https://m.media-amazon.com/images/I/51vRapI7wSL.jpg)

## Available Options

This product comes in different **Configuration, Style** options.

## Questions & Answers

**Q: Is the pedal True Stereo? (deal processors)**
A: Yes and no. Yes it is a true stereo effects device. No you it is not Dual Processors in the way I suspect you mean.

The whole idea of a stereo reverb is to take a point source and return a stereo reverb. If you clap your hands, you are a mono sound source. If you do it in a cathedral, the reverberations come from all directions and could be recorded with a pair of mics in stereo. That is what the DR600 is simulating. If two people clapped, one near each microphone, each would be loudest on their nearby mic as a direct signal but both mics would hear roughly equal amounts of ambient reverberation in a space as large as a cathedral.

So, no, the B output does not just give a mono reverb of the B input.

You can use it as mono or stereo in and you can use just a mono or the stereo out. Therefore, as well as working for mono sources like guitars, this pedal works well with stereo keyboards too. It can also be used with a mixer by connecting an Aux send to Input A and returning both outputs to the desk Aux Returns (or two mono channels panned left and right).

From the manual:
Use the two 1/4" TS connectors IN A and IN B to plug in a stereo input signal. For mono use just plug in IN A.
The two 1/4" TS connectors OUT A and OUT B send the signal to your amp. Use both connectors if you want to achieve full stereo effect. For mono use just plug in OUT A.

We have just one of these pedals left in stock. The UK distributor has none at the moment, so I have no idea when more will be available.

Finally, I recommend a power supply with this pedal. The digital processing takes quite a lot of power compared to something like a distortion pedal. S it can get though batteries rather quickly. We have suitable power supplies in stock and can add one to your order for no extra postage.

Martin, Manchester Audio (part of Boomerang Sounds)

**Q: How can I use this with a Shure sm58 mic + amp?**
A: You would need a microphone preamplifier or mixer in between the microphone and pedal to boost the signal.

**Q: Works in mono. When connect electribe 2s to stereo no sound goes out. Tried to connect in many ways but still no signal. Am i doing something wrong ?**
A: I believe that the pedal in question does work with either Mono, or Stereo guitar leads, because I've used both of these leads without a problem. Maybe you have a defective pedal.
Regards Keith Riley

**Q: Is this suitable for a microphone? It looks like a guitar pedal which would need a preamp with a mike.**
A: Most mics are low impedance so will require a pre-amp or mixer to give sufficient level for this pedal. If you happen to have a high impedance mic (usually vintage) or an electret condenser (one that needs a battery to power it), then you could use it directly. Otherwise, we do sell simple mic pre-amps that would work well with it. We are currently the only UK seller on Amazon who still has this is stock. They are in very short supply. If you want to contact me with more information about your application, I can possibly offer alternatives that might suit you even better. TC for example make a whole range of vocal effects processors.
Martin, Manchester Audio

## Customer Reviews

### ⭐⭐⭐⭐⭐ Ridiculously close to the original HM-2, with some added versatility.
*by V***E on 21 May 2018*

You're probably here for ONE of two reasons: Either 1.) It's cheap, it's bright pink and it says heavy metal on it. Or 2.) You've heard that this sounds identical to the original Boss HM-2 Heavy Metal, made famous by all those Swedish death metal bands. If you're here for reason 1, skip on this pedal, and go buy the UM300 Ultra Metal (cheap, pink Metal Zone clone), as the HM300 most likely isn't the heavy metal sound you have in mind. The UM300 can dial in a lot more standard metal tones, it's quite versatile and it's actually not that bad. If it's reason 2, then you can definitely believe what you've heard. I have a MIJ Boss HM-2, and I picked this up on a whim as I'd heard what it supposedly does. For £20, I thought "what's the worst that can happen?" especially after hearing the demos. The side-by-side comparisons were spot on. The HM300 is as close as you're going to get to the original HM-2, and if you don't fancy spending £100 in a beaten up, 25 year old HM-2 (or up to £250 on a boutique clone like the Left Hand Wrath which doesn't really sound all that much like the HM-2 anyway), then get this. Obviously the original HM-2 has a certain cool-factor and an everlasting re-sale value, but honestly - and you boutique pedalheads might scoff at this - I now prefer the HM300. The "sweet-spot" is slightly different. The HM-2's sweet spot is all the dials at 10, and the pedal sounds like garbage if you dial in anything BUT that. Whereas the HM300 is similar, though you roll off the "High" EQ (which on some models, they've called "Mid") just a *little* bit, though you can have it full, but it will give you a very cutting tone. which is great for leads, but is far too fizzy for that thick, saturated rhythm sound you're probably looking for. You can also roll off the distortion a little bit (to about 3 o-clock), which still gives you an incredible amount of gain, but it seems to ease off on the throttling compression you get at maximum gain, and the chugged palm mutes start to sound a bit more thrash-like; clear and stabby and less like an atomic bomb going off. That versatility is important for getting it to sit right with your amp. Unlike the HM-2, which if it doesn't sound good with your amp with the pedal's dials maxed out, then you are fighting a losing battle. It sounds like the original, with that added room to maneuver around your amp's natural tone. If your amp is bright, roll off the High. If your amp/cab gets a bit farty with low end, roll off the distortion, to get a much more level chug sound without compromising *that* tone. From my experience, you just can't do that with the HM-2. It's either all or nothing. With this, you have some wiggle room. Not only that, but it sounds GOOD. So close to the original that I feel a bit silly paying £100 for a Boss HM-2 some years ago. The ONLY downside is that it's plastic. For a stomp-box, I am worried as to how many stomps it will be able to take. But the tone is worth preserving, and for such a low price, you could use the money you saved on not buying a HM-2 to get a DIY FX pedal maker/modder to rehouse this for you, into something more resilient, if you really wanted to. Or you could just be careful with it. It's up to you. I am told they are more sturdy than they look and feel by folks who have had theirs a long time. We'll see. I haven't rehoused mine yet, but I am thinking about it. Ignore the reviews saying that it's bad. They just didn't know what they were buying. If you are buying this with either Swedish Death Metal in mind or that crusty grind/hardcore sound like Nails, Trap Them, Black Breath etc (which is pure Swedish Death Metal worship anyway), then you will not be disappointed! If you want a crisp, clear Brown Sound or a modern Metalcore sound, then this won't do it.

### ⭐⭐⭐⭐⭐ Awesome Awesome Awesome (see what I did there? ha ha ha)
*by A***L on 11 February 2026*

What!!!! This pedal is superb, and at this price an absolute no-brainer. I have an original 1970's Watkins IC300 Copycat tape delay unit, and this pedal certainly gives a superb emulation of that! It goes from classic slap back all the way to absolute chaos. The only thing I can say is - BUY ONE NOW!

### ⭐⭐⭐⭐ Decent but heavy on batteries.
*by J***. on 19 January 2026*

Case is plastic so may not take a battering, changing the battery is fiddly. Current drain is 160mA so a PP3 battery will only last a few hours if used continuously. Sounds decent enough and plenty of versatility so at the price still good value.

## Frequently Bought Together

- Behringer DR600 DIGITAL REVERB Digital Stereo Reverb Effects Pedal
- Behringer VD400 Vintage Delay Pedal (VD400d2)

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*Product available on Desertcart Senegal*
*Store origin: SN*
*Last updated: 2026-03-05*