Stonehenge Paper 9X1 White 90LB, Cotton, One Size

The best pad I have ever used for coloured pencils. It accepts so many layers, I love it!!

Fabulous paper for my colour pencil work, especially if you need to apply lots of colour layers and want a slight textured look, ie landsapes, rocks, seascapes. Use a variety of different colour pencils and they all perform well on this paper

Stonehenge paper is excellent for coloured pencil work.It takes plenty of layers.Jacksons art supplies were prompt and efficient and I would use them again

Paper itself is lovely ,bought after a recommendation from another graphite artist ,its perfect for what I wanted sketch pencil rubbed our well with no loss of layer or bitting. Sadly arrived damaged but I didn't have time to return tried a old trick of slightly warm iron fixed enough for commission framed ,I'd recommend the paper but with the cost needs better protection in transit.

I thought the hot pressed paper I was using was fine.... till I used this! I can get lots more layers into my pictures without the paper breaking up or stretching, it has made a huge difference to my work.

This is an excellent pad which was well worth the money! It was a prompt service with no problems at all.

Smooth surface of Stonehenge sheets works very well in my fabric (mixed media) journals.

I work in pencil / graphite and this is a lovely quality paper with a slightly 'hard' surface that takes a lot of pencil layering and erasing. For info, and as another reviewer has pointed out, it is definitely ivory/cream and not the 'pure white' referenced in the features and details section (perhaps reflects fewer chemicals and bleaching agents, though, which is good!). The USA 9×12 inches size is a bit annoying to me in the UK, as it's just a little too big to be stored in any standard A4 frames, folders and pockets, so at the moment I'm having to cut down the paper to fit. Pretty expensive, though!

Haven't used the paper yet, but unfortunately it came damaged in a corner. Maybe i will return it

La superficie es lisa, no tiene diente, lo uso con lápices de color polychromos en combinación con plumones de alcohol, funciona muy bien con capas de colores sobre el plumón, volveré a comprarlo en mayor tamaño, recomendado.

This is very nice professional artist grade, not student or hobbiest grade, archival paper that is an excellent value for the money. Compared to most other paper on the market that is not 100% cotton, the difference is in the longevity. Want artwork that will last a century and not just decades? This is the paper. It won’t yellow overtime or become brittle. The size is exactly as advertised. It is NOT meant for markers or wet media whatsoever as it will absorb and bleed through, keep in mind that it is a characteristic and not a flaw. As the cover says it’s a specialty paper for colored pencils and can most definitely handle graphite too. It does have a decent thickness, though not quite as thick as I’d like it but absolutely not a deal breaker as it is a very nice paper that gets the job done. If this paper isn’t thick enough or to your liking, my recommendation to anyone would be to purchase the Fabriano Artistico Hot Pressed Watercolor, Lux Archival, Arches Hot-Pressed Watercolor, Strathmore 500 Bristol Vellum or Derwent Lightfast Paper for archival results. All those papers are 100% Cotton with no added wood pulp ideal for professional colored pencil work. St. Cuthberts Mill Bockingford Hot Pressed Watercolor Paper is also great and unique for archival colored pencil work even if it’s not 100% cotton. Legion Stonehenge White is by no means is a disappointment and is among the best papers on the market that money can buy for the graphite and colored pencil mediums. It may seem like a pricy paper, but that’s the difference paid for something that is of proven archival quality.

Es sin duda uno de,los mejores papeles para la técnica de lápices de color.

I very like this drawing pade