The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia New Edition

I first encountered this book many, many years ago, and found it absolutely fascinating. What artists and artisans were able to do, altering photographs and other "official" images before the advent of computers is remarkable in and of itself, akin almost to magic at the time. The book details everything about not only the politics and the process, but also highlights points of mystery- where gaps in knowledge and history still remain even to this day about some of these ghostly photograph alterations. If you are at all interested in the history of the Soviet Union, particularly of the Lenin/Stalin era, and the lengths they were willing to go to keep up appearances, then look no further. This book is sure to delight and fascinate. Further, I highly recommend this book as a means to engage students from 6th grade or so on up, as looking through the book and seeing the "before" and "after" images is a rather fun thing to do in both a classroom or educational club setting.

worthy educational book - spin has been around for long time.

Excellent book detailing Stalin's attempt to provide "alternate facts" through altered photos. The author did a great job pulling together the original photos and then all the following "touch-ups" - and this was way before Photoshop! If the historical situation were not so awful with his reign of terror, the photo documentation would be humorous, as in some altered photos a remaining hat, arm, hair or other item can still be seen. For those who are unaware of that period of Russian history and those who learn visually, this book is a great piece of history.

"The Commissar Vanishes" really shows just how insane the leadership structure and history of the USSR was. David King has compiled a lot of photos, most of them consisting of pairs or sets of pre- and post-doctored versions, showing how Stalin attempted to erase his past rivals and lesser enemies of the state from history. Fortunately, he failed, because many of these people's existences have been preserved here and elsewhere. King also writes descriptive captions for many of these photos, describing who the erased people were and why they were erased. Figures range from the famous, like Stalin's arch-rival Leon Trotsky, to obscure provincial leaders caught up in Stalin's many purges. King's captions also shed light on the characters of the many interesting figures of the Bolsheviks, backed with first-hand accounts. Who knew, Lenin was an egotistical jerk who had no problem killing people for no real reason. Of course, this theme is expanded upon greatly in the many photos involving Stalin and the purged officials who, one by one, disappear from photos with him. This is a great coffee table book for those with an interest in early 20th century, or for people who are a little bit morbid.

Everything it's supposed to be, there was a small tear in the back cover.

An exhaustively researched volume that makes for both a fascinating historical record of Joseph Stalin's rather Machiavellian rise to power and how he cemented his rule through carefully crafting the 'Stalin legend', including the manipulation of the photographic records of the time to either present himself in the most favourable light (even when at times he was not even present!!) through to brutally rewriting history to suit his narrative when former comrades fell foul of his paranoia by deleting their very images from photographs of political gatherings, Politburo meetings, etc. The author has done astounding work in tracking down original unaltered prints of many such photos thought lost forever, that frequently present an entirely different picture of the power structures and key people during the Bolshevik Revolution and early years of the former Soviet Union.

Lie becomes truth in photos. It was stunning to see how iconic photos were edited and reedited to reflect ongoing political "truths" in the Communist Soviet Union. This is one of my favorite books because it so accurately spells out what Communism is: one giant lie. Communists even have to go so far as editing photos to prove their "truth". It's a wholescale indictment against Communism and dictatorships in general. The sheer amount of photos this book reproduces is amazing. If you want some creepy nighttime reading or something to put on your living room coffee table for guests to thumb through and be amazed with history, this book is for you. I can't recommend this book enough. The author has done a tremendous job.

Splendid blending of text and photographs. I gave this book to my teenage son as he was reading "1984" for a school assignment. He was impressed with the book on its own merits. The pictures draw you in, and I think this is especially true for teens. I could also see that it helped my son understand that Orwell's fiction was everyday life for the people of the Soviet Union.

Ieri e oggi, la propaganda russa, contraltare - più grezzo - della "cancel culture" liberale.

A new edition of this groundbreaking work, with amazing new artifacts and examples collected by King in his ongoing research. As the former Soviet Union continues to reconfigure, new materials are emerging from people's closets and attics. King provides startling new documentation of the participation of ordinary citizens in erasing images in their own possessions of persons in political disfavour, in addition to his meticulous earlier work demonstrating the work of officials, propagandists and archivists in obliterating historical events and individuals from the photographic and documentary record. If you don't know this book, get it -- it raises so many questions about historical evidence, the psychology of totalitarianism and other issues than transcend geography and history, in a very immediate and entertaining way. King's forthright and sometimes sardonic writing style brings out the black humour and absurdity of totalitarian regimes, while not underplaying the horror and tragedy. If you do know this book from earlier editions, spring for this edition for the fascinating new material.

This book is worth it alone for the many painstakingly sourced before and after shots of each censored picture. However the accompanying text is also informative and disturbing. Particularly when it explains how this censorship was carried out not just by party officials, but even by individual citizens who rushed to comprehensively obliterate cherished close family members from privately held photo albums and publications, as soon as those family members fell out of favour with the leadership of the state.

Great resource for anyone who is seriously interested in Stalinist Russia. I have read easily sixty books on this era beginning with Solzhenitsyn, through Shoztokovich, to Conquest, to Figies to Montefiore, (Stalin: The Court of the Red Czar).

I'm happy to have this book.