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🎭 Own the drama that changed the stage and sparked a movement.
Angels in America: A Gay Fantasia on National Themes is Tony Kushner’s Pulitzer Prize and Tony Award-winning two-part play, celebrated for its profound exploration of AIDS, politics, and identity in Reagan-era America. This revised edition includes the author’s latest changes and a new introduction, capturing a monumental work performed worldwide and adapted into an Emmy-winning HBO film.
| Best Sellers Rank | #27,442 in Books ( See Top 100 in Books ) #7 in LGBTQ+ Demographic Studies #9 in LGBTQ+ Drama & Plays (Books) #26 in American Dramas & Plays |
| Customer Reviews | 4.6 out of 5 stars 957 Reviews |
R**R
America please revisit this masterwork!
Again another gift from this miraculous emporium in many cities- thriftbooks- of course my birthplace Chicago the latest. thank-you! Saw HBO production recently- a masterwork in American literature and drama. Breathtaking! had to own the writing- an affordable and a beautiful copy. Used books are so soulful.
R**C
We suggest that the Angels sue God (as opposed to Cohn's advice that everyone sue someone just for fun - wonderful discussion of
Still timely - the plight of AIDs victims is a symbol of the high cost of the loss of community (Reaganism) in modern America and dangers of self-interest (Reaganism and Ayn Rand, the latter via Roy Cohn); and, ultimately, of the triumph of the human desire for "More Life" (Prior, Belize, Hannah, Louis). God has abandoned heaven; the Angels want him back; the price is human life (we must "stop moving"). We suggest that the Angels sue God (as opposed to Cohn's advice that everyone sue someone just for fun - wonderful discussion of law v justice in this text). Definitely read both plays - Millennium Approaches and Peteroiska - because the themes in the first are developed and resolved in the latter. I taught the play to my college students: it really helps if they also watch the HBO production (it is a play, after all, not a novel). My students were bewildered at first, but the HBO version clarified much for them. I think that they ended up really loving Angels and will be thinking for a long time about its important themes. (They all loved Prior a lot.) Finally, for the theory wonks and those teaching the play at college level: a major influence on Kushner's own work was Walter Benjamin's "The Work of Art in An Age of Mechanical Reproduction." Kushner has stated in interviews that the name, "Prior Walter," is derived from a joking reference to Benjamin between Kushner and a friend. An interesting essay assignment might be to examine the connections betweem Benjamin's theories and Angels. (I'm sure Kushner would think such a comparison totally beside the point - but a wonk is a wonk, and I teach theory (-;
T**U
A Wonderful Read
After watching the Angels in America DVD, I wanted to see how it was originally as a play, and it does not disappoint. In many ways, I think it's a better experience reading this play than it was to see it on my tiny television. Angels in America is essentially a theatrical work, and the miniseries came off just as that, a filmed stage play, espcially in Part 1: Millenium Approaches, so that it seemed really static, even with, if not because of, Mike Nichols' direction. It was, on the other hand, tremendously faithful to the play script. As far as I could tell, not a word was changed. Part 2: Perestroika, however, had a few changes from the script to screen, and those changes worked well, making the filmed version far more dynamic than Part 1. There's some additional backstory that got dropped in the translation, but the spirit is very much the same. Ultimately, I recommend that you watch the DVD to get an idea of the characters' mannerisms and the staging, then read the script to fully appreciate the poetry of Tony Kushner's language. Buy it and love it!
M**!
A MUST-SEE for everyone out there...
One of the top 3 gay and AIDS related films of all time... The roster of star power is unmatched, really, while the direction by Mike Nichols is stellar! Al Pacino has, in my opinion, delivered the absolute best performance of his career while filming this made-for-TV (HBO) film, while Meryl Streep and Emma Thompson have outdone themselves as they each play 3-4 different roles in the same movie... Of outstanding quality was also Patrick Wilson's performance who masterfully managed to walk the line mixing good looks with brilliant acting... Of course, all this cinematic marvel would have never taken place if it hadn't been for Tony Kushner's brilliant script! This film, projected in two parts, is a must-see for everyone out there... Especially since it is somewhat based on real events and characters...
N**R
Enjoyable
The use of queer and religious themes to theorize America, or at the very least, say something about the country, is compelling and dramatic. Sometimes the play gets lost in itself, and it falters for it, but otherwise it's very good, even if it's long.
K**N
Does justice to a great play.
This is my favorite play. Tony Kushner rendered a heart-wrenching story, and this most completed version brought it even closer to perfection. Noticable changes have been made, especially to Part 2: "Perestroika," but I think they all work to the overall story's advantage. The two scenes that were cut from the original published version are still available to read in the back. There are also notes and an intro written by Kushner himself. For someone who claims not to care for intros, he makes decent work of them. ;) The book itself is very sturdy (I bought the hardcover version), the cover beautiful (even if I'm not a fan of dust jackets) and the pages have held up through three read-throughs so far as I carry this book all over town like a security blanket and read it everywhere from the breakfast table to waiting rooms to my local park. Most satisfying purchase I've made yet. I recommend this to anyone who needs their heart broken and/or healed, or just has space on their bookshelf.
S**N
A Contemporary Classic
This was and continues to be one of my favorite plays of all time. The subtitle describes exactly what the play is all about: A Gay Fantasia on National Themes. Bear in mind, this play takes places in the mid 1980's: President Reagan was in office and the new Millennium is approaching, a time of uncertainty. Some call it an AIDS play, but it is much more than that. It's about love, betrayal, abandonment, religion, forgiveness, friendship, and the supernatural. The dialogue can be preachy, but that does not mean it's bad. Quite the opposite. It's pretty excellent. Mr. Kushner's use of words are quite exquisite. Probably my favorite scene of this play occurs in part 2 of the play, when the character Harper is alone in the Mormon center, and she obtains advice about life from an interesting source. Overall, the play is worth re-visiting after 23 years since its world premiere at Eureka Theatre Company in San Francisco, CA.
A**H
This is My Favorite Play
This is a brilliant play. I had only ever seen the HBO miniseries before, but this is the full play as it originally was produced on the stage. You get so much more of the story out of this version, although the miniseries is still great. If you are looking for a play that deals with the problems of the HIV/AIDS epidemic without turning to Rent, this is a great option. Truly a masterpiece of theater. I am using this in my Women and Religion class for a paper I am writing discussing the popular images of Mormon women, particularly Harper, Hannah, and the Mormon Mother.
P**.
a modern classic
More Life, a time for Hope
S**Y
The 2 Part split formation works perfectly to highlight the shift in atmosphere and am glad to say the ending isn't predictable
Pure genius! The 2 Part split formation works perfectly to highlight the shift in atmosphere and am glad to say the ending isn't predictable. Time to find a live stage version of this.
A**S
Faultless transaction
All went as well as it could go with this order. No delay, book arrived in condition as described and I have no reason for complaint.
A**R
One Star
Didn't realise it was in playwriting form.
K**T
Thematisch überladenes - und übersextes - Drama mit Figuren mit geringem Identifikationspotential
Dies sind eigentlich zwei Dramen, die aber eine zusammenhängende Geschichte erzählen. Part One: Millenium Approaches 1992 kam in den USA ein Drama auf die Bühnen, das erstmals Homosexuelle in den Bereichen Wirtschaft und Justiz in den Mittelpunkt stellte - genau, wie die damals aktuelle Seuche AIDS/HIV. Da wäre zum einen der weitestgehend moralresistente Anwalt und Machtmensch Roy Cohn, der Machtspiele in erster Linie aus Spaß an der Macht und am Spiel zu betreiben scheint und der sich - und vor allen Dingen anderen - seine Homosexualität nicht eingestehen möchte. Bis ihn ein positiver HIV-Test in neue Bahnen zwingt. Auch der Gerichtssekretär Joe ist mehr an Männern interessiert - sehr zum Leidwesen seiner (Alibi)ehefrau Harper, die versucht sexuelle Frustration durch Valiumkonsum zu kompensieren. Demgegenüber sind Louis und Prior ein ziemlich harmonisches homosexuelles Pärchen - bis Priors HIV-Diagnose einen ungeliebten Dritten in ihre Leben bringt. Und kurz darauf erscheint Prior auch noch ein Engel. Insgesamt ist dies sehr überladen. Nicht nur sind die Hauptcharaktere homosexuell und mit HIV gestraft, nein, sie sind auch mehr oder minder aktive Teilnehmer an ungeregelten juristischen Prozessen und haben problematische Familienhintergründe. Dann noch die Dreingabe der religiösen Komponente und die starke Betonung des Judentums (außer bei Joe, der Mormone ist) und man hat das Gefühl hier hat ein homosexuelles Mitglieder der höherstehenen jüdischen Intelligentsia in erster Linie für die Menschen innerhalb seiner Blase geschrieben - zu einer Zeit, zu der viele auf das Kommen des Reichs Gottes und den Milleniumsbug gewartet haben. Es ist nicht unbedingt leicht als Nichtangehöriger dieser Blase ein verstärktes Interesse an diesen doch vergleichsweise abgehobenen Figuren zu entwickeln. Dazu kommt, dass zwei der Paarungen oft gleichzeitig auf der Bühne sind und ihre Dialoge sich gegenseitig entweder ergänzen oder überdecken. Das mag auf der Bühne interessant sein - liest sich aber nicht wirklich gefällig. Part Two: Perestroika Während des Schreibens von 'Millenium Approaches' kamen Tony Kushner noch weitere Ideen und da das erste Stück schon ziemlich geladen war, beschloß er ein zweites Stück zu schreiben, als eine Fortsetzung, die neue globale - und spezifisch amerikanische - Entwicklungen mit aufnehmen sollte. Das Personal und seine Probleme entspricht weitestgehend dem vom Ende des ersten Teils, wobei sich Roy und Joe nun weitestgehend in ihre Homosexualität - und ihre HIV-Erkrankung - hineingefunden haben, wobei Roy seine Verbindung dafür missbraucht, sich an der Doppelblindbeschränkung der frühen AZT-Studien vorbei einen großen Vorrat dieses Medikaments zu sichern. Joe und Harper haben sich de facto getrennt und auch die Beziehung zwischen Louis und Prior ist nicht besser geworden. Roy und Prior befinden sich oft im gleichen Krankenhaus, wo sie von der transsexuellen Schwester Belize betreut werden. Und Joes Mutter Hannah kommt aus Salt Lake City um sich um ihren kranken Sohn zu kümmern. Priors Begegnungen - und schließlich Auseinandersetzungen - mit den Engeln nehmen im wahrsten Sinne des Wortes biblische Ausmaße an - und auch Roy wird in himmlische Machtspiele mit hineingezogen. Kushner meinte mal in einem Interview, dass er sehr versucht hat, sein Stück nicht zu prätentiös wirken zu lassen - und das ist ihm in meinen Augen sehr misslungen. Die stärkere Konzentration auf die Krankheiten und Beziehungen der Figuren machen sie zwar jetzt zugänglicher als im ersten Teil, aber die nun verstärkte fantastische und metaphysische Komponente mit stark alttestamentairschen Bezügen lesen sich doch sehr wie intellektuelle Kraftmeierei. Und es werden auch weiter die wenig leserfreundlichen einander überlagernden Paardialoge verwendet. Ich bin froh das hinter mir zu haben und obwohl es viele Lehrerhandreichungen dazu gibt, werde ich dieses Doppeldrama meiner Schülerschaft eher nicht antun. Im Anhang gibt es noch zwei Szenen, die in späteren Ausgaben entfernt wurden, weil kein Regisseur sie bei Aufführungen integrieren wollte, sowie einige Produktionsnotizen. Und natürlich gibt es zu dieser Ausgabe ein Vorwort und ein Nachwort des Autoren. Wie gesagt, ich bin froh, es hinter mir zu haben.
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