

The most trusted anthology for complete works and helpful editorial apparatus. The tenth edition supports survey and period courses with new complete major works, new contemporary writers, and dynamic and easy-to-access digital resources. New video Modules help introduce students to literature in multiple exciting ways. These innovations make the Norton an even better teaching tool for instructors and, as ever, an unmatched value for students. โช em> about the author stephen Greenblatt (ph.Br>d Yale) is cogan University Professor of the humanities at Harvard University. Also General editor of the Norton anthology of English literature, he is the author of eleven books, including the swerve: how the world became modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeares freedom; will in the world: How Shakespeare became Shakespeare; Hamlet in Purgatory; marvellous possessions: the wonder of the new World; learning to curse: essays in early Modern culture; and Renaissance self-fashioning: from more to Shakespeare. He has edited seven collections of criticism, including cultural mobility: a manifesto, and is a founding coeditor of the journal representations. His Honors include the MLA James Russell Lowell Prize, for both Shakespearean negotiations: the circulation of social energy in Renaissance England and the swerve, the sapegno Prize, the distinguished humanist Award from the Mellon foundation, the Wilbur cross Medal from the Yale University graduate school, The William Shakespeare Award for classical theatre, the erasmus Institute Prize, two Guggenheim fellowships, and the distinguished teaching Award from the University of California, Berkeley. He was President of the modern language association of America and is a fellow of the American Academy of Arts and sciences, the American philosophical society, and the American Academy of Arts and letters. . Review: Great selection - For the specialist reader and others too. Review: Memnuniyet - Harika bir kitap serisi โฅ๏ธ
| Best Sellers Rank | #658,634 in Books ( See Top 100 in Books ) #802 in English Literature #7,839 in Anthologies (Books) #9,527 in Literary Theory, History & Criticism |
| Customer Reviews | 4.6 out of 5 stars 886 Reviews |
T**A
Great selection
For the specialist reader and others too.
H**E
Memnuniyet
Harika bir kitap serisi โฅ๏ธ
R**K
Brilliant
Must have for a literature student!!! The paper is of beautiful quality but delicate (I only annotate in pencil so this is not an issue for me and if anything its actually better to write on). Each volumes layout, font size and referencing make annotating easy and enjoyable. The volumes are thoughtfully put together packed with useful information/context. Everything from each period is in one volume and I cannot stress how useful that is. Most if not all of the poetry I have needed and wanted to read from medieval to modernism are in the Norton anthologies A-F. They have been an absolute godsend for me and I know I will be reaching for them throughout my studies and later life.
J**N
fantastic for all readers, carefully arranged and edited
I purchased these anthologies for an English course I was taking last year. I have since read through volumes A and B, and hope to start volume C soon. Firstly the anthologies are arranged both chronologically and thematically. For example in Volume B there is a section devoted to "Women in Power" which features writing from Elizabeth I, Mary of Scots, Lady Jane etc. There is another section later in the volume about "Inquiry and Experience" featuring writing from Francis Bacon, William Harvey and others. And for example a writer like Milton is placed at the end of the volume, while Sir Philip Sydney is placed near the beginning. The true strength of these anthologies (over simply finding each work online in the public domain) is the editorial additions. Each volume, section, author and work is carefully introduced with a written essay/blurb, outlining the historical-biographical contexts of each author and work, and also highlighting relevant themes and topics to pay attention to when reading each work. For example, the 30-page general introduction to Volume B does an excellent job at setting up the Elizabethan era society, what this meant for writers, and how this affected topics and themes explored in writing both fictional (letters, essay) and non-fictional (poetry, plays). Editorial introductions for specific authors and their works featured in the volumes are naturally shorter than the general intro, being about a few pages. For example Shakespeare's introduction is a few pages long, and his Sonnets and plays each have separate introductions at a few pages each. While William Harvey, who only has an excerpt of one text featured in this volume, has a one page blurb. Along with the introductions, each text is annotated with footnotes and glosses that explain word meanings that have shifted, and historical or textual allusions that are important to understanding the text. This brings me to my first and only gripe with the volumes. The footnotes can feel a little haphazard, but the editors likely did their best to conserve readability. It numbers footnotes from 1 to 9, and repeats until the end of the excerpt. For example, the entirety of Shakespeare's Twelfth Night will start from footnote number 1-9 then repeating until the end of the play. Then Othello which follows will start anew at footnote 1-9 repeating itself until the end. With all that said, the footnote style is simply something one must get used to. I can't imagine how difficult it might have been to edit such vast volumes and code a consistent footnote scheme. The big advantage with this scheme is that the footnotes fit neatly in a nice two column rectangular shape at the bottom of each page. This is easier to read and search than a continuous blob of text as for example in Signet editions. It is also advantageous over endnotes, since the notes are right there at the bottom of the page without need to flip back and forth. However over it's 1600+ pages I still find myself sometimes being confused "am I looking at the right 2?" (on pages with more than 9 footnotes), or thinking "oh it's a 8 footnote, that means it must be the last" when in reality it is the first on the page since the last footnote on the previous page was a 7. That was likely more information than you could ever need to know about footnote design in this anthology. Altogether this is a fantastic collection that both general readers and students alike will find enriching. The selections are arranged and introduced in such a way that develops and contrast themes mentioned in earlier works, contrasts the different styles of authors, and reflects on important historical events when each text was written. This is all said with a footnote about the footnotes.
A**R
As described, college student approved
I had been in the process of trying to find this set a books anywhere for cheaper than $100. Luckily I came across this set on Amazon for not too much especially being a USED set. I made sure to check volume B for any missing pages as some reviews described and was happy to see all pages accounted for. As a college student these are decently priced and honestly very great condition for being used. Highly recommend!
E**E
Me encanta
Muy รบtil para mis estudios :D
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